A review of Parsifal directed by Dimitri Cherniakov at the Berlin Staatsoper (premiere: 28.03.2015). The creators have bypassed the historical/religious aspect of the work, despite the fact that the play's premiere took place in the Easter holiday season and the content of Richard Wagner's musical drama ties in with the story of the sacrifice and redemption of Christ. In this interpretation Parsifal is an outsider, a rebel who undermines the operatic pathos of the work. The reviewer notes that the focus of the opera has been shifted to the fate of Kundry - the apocryphal heroine of the tale, and one of the composer's sources of inspiration
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
English and German words.Libretto by the composer.Added t.p. in German.Mode of access: Internet
The question of the expediency of using the original language in opera as the only correct version o...
Kundry, the only female character in Richard Wagner's last opera, Parsifal (1882), is also the only ...
(1882), is also the only character to make an overwhelming impression on us with the raw power and e...
Richard Wagner's libretto Parsifal (1882) is a drama with a universal symbolic resonance and great h...
Based on the epic medieval poem Parzival by Wolfram von Eschenbach. ; With music of the leading moti...
The appropriateness of Christian themes in the performing arts has often been debated. Defenders hav...
In his youth, Richard Wagner was one of the most dogmatic deniers of Christian doctrine. Paradoxical...
Based on the epic medieval poem Parzival by Wolfram von EschenbachEnglish and German tex
A spectacular Australian dramatic and musical adaptation of Wagner's Parsifal under the management o...
I understand patronage principally as a work of cultural and material support - the support shich wa...
Richard Wagner’s final opera, Parsifal, is an enigmatic work that resists simple understanding both ...
El libreto Parsifal (1882) de Richard Wagner es un drama con resonancias simbólicas universales de g...
The pamphlet\u2019s text analysis elaborated by R. Wagner for over a thirty years span highlights a ...
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
English and German words.Libretto by the composer.Added t.p. in German.Mode of access: Internet
The question of the expediency of using the original language in opera as the only correct version o...
Kundry, the only female character in Richard Wagner's last opera, Parsifal (1882), is also the only ...
(1882), is also the only character to make an overwhelming impression on us with the raw power and e...
Richard Wagner's libretto Parsifal (1882) is a drama with a universal symbolic resonance and great h...
Based on the epic medieval poem Parzival by Wolfram von Eschenbach. ; With music of the leading moti...
The appropriateness of Christian themes in the performing arts has often been debated. Defenders hav...
In his youth, Richard Wagner was one of the most dogmatic deniers of Christian doctrine. Paradoxical...
Based on the epic medieval poem Parzival by Wolfram von EschenbachEnglish and German tex
A spectacular Australian dramatic and musical adaptation of Wagner's Parsifal under the management o...
I understand patronage principally as a work of cultural and material support - the support shich wa...
Richard Wagner’s final opera, Parsifal, is an enigmatic work that resists simple understanding both ...
El libreto Parsifal (1882) de Richard Wagner es un drama con resonancias simbólicas universales de g...
The pamphlet\u2019s text analysis elaborated by R. Wagner for over a thirty years span highlights a ...
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
English and German words.Libretto by the composer.Added t.p. in German.Mode of access: Internet
The question of the expediency of using the original language in opera as the only correct version o...