Add to ORKGInternational audienceVisual exegesis that was practiced through all the Middle Ages in parallel with the written one. Such images imply a certain way of representing things, aimed to figure out their spiritual meanings. This paper aim to describe one of the techniques used in the Middle Ages to signify the spiritual dimension of exegetical pictures
The six papers in this cluster arose from the international 41st Medieval Workshop at the University...
Christianity, as a religion centered on the Incarnation of a spiritual being, is always necessarily ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The use of images in intimate piety in the XIV–XV centuries responded to the need to create a mental...
The aim of this article is to outline the three most fundamental types of allegories that offered ne...
This paper offers an account of the literary form exemplum and ways in which it may be said to have ...
Drawing on original research covering different periods and spaces, this book sets out to appreciate...
The thirteen essays in this volume, first presented at Emory University’s Lovis Corinth Colloquium I...
This paper seeks to frame the importance of \u2018imaginative culture\u2019 during the Middle ages. ...
Complementary to revelation in the Word, Christianity depends on visual media that provide insight i...
In his Exemplar (a compilation of his German texts accompanied by drawings probably designed under h...
Abstract and quasi-abstract motifs were widely used in the religious images of the central Middle Ag...
International audienceIn recent years, many medievalists have become interested in the place of the ...
In his Exemplar (the famous compilation of his German texts that is extant in several manuscripts an...
This dissertation attends to one of the central problems of medieval art history: the role of images...
The six papers in this cluster arose from the international 41st Medieval Workshop at the University...
Christianity, as a religion centered on the Incarnation of a spiritual being, is always necessarily ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...
The use of images in intimate piety in the XIV–XV centuries responded to the need to create a mental...
The aim of this article is to outline the three most fundamental types of allegories that offered ne...
This paper offers an account of the literary form exemplum and ways in which it may be said to have ...
Drawing on original research covering different periods and spaces, this book sets out to appreciate...
The thirteen essays in this volume, first presented at Emory University’s Lovis Corinth Colloquium I...
This paper seeks to frame the importance of \u2018imaginative culture\u2019 during the Middle ages. ...
Complementary to revelation in the Word, Christianity depends on visual media that provide insight i...
In his Exemplar (a compilation of his German texts accompanied by drawings probably designed under h...
Abstract and quasi-abstract motifs were widely used in the religious images of the central Middle Ag...
International audienceIn recent years, many medievalists have become interested in the place of the ...
In his Exemplar (the famous compilation of his German texts that is extant in several manuscripts an...
This dissertation attends to one of the central problems of medieval art history: the role of images...
The six papers in this cluster arose from the international 41st Medieval Workshop at the University...
Christianity, as a religion centered on the Incarnation of a spiritual being, is always necessarily ...
During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. A...