Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments “in the full richness ...
In an interview with Christina Cameron in 2011, Herb Stovel, one of the masterminds of the Nara Decl...
[EN] The author expounds on the subject of the sometimes diffuse limits between replica and restorat...
This paper analyzes international heritage conservation charters through the post-structuralist lens...
Authenticity is not an absolute and constant quality inherent in an object or an experience; it is c...
This article examines the question of authenticity in relation to 3D visualisation of historic objec...
The notion of authenticity seems to have grown more and more important for artistic documents during...
Our understanding of authenticity in the material world is characterized by a problematic dichotomy ...
Scholars and professionals across the disciplines have adopted the concept of authenticity to help f...
This article summarizes the results from recent research focusing on the experience and negotiation ...
preservation: towards an authentic history RANDOLPH STARN Authenticity was neither an exclusive crit...
This article is devoted to the analysis of links between the Venice Charter and the Convention conce...
The goal or criterion of "authenticity" for judging a change in art or ethics or culture is notorio...
Seligman, a 20th-century collector and historian, stated: ‘The first duty of the museums is to give ...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...
This chapter explores the utility of an existentialist understanding of authenticity for the histori...
In an interview with Christina Cameron in 2011, Herb Stovel, one of the masterminds of the Nara Decl...
[EN] The author expounds on the subject of the sometimes diffuse limits between replica and restorat...
This paper analyzes international heritage conservation charters through the post-structuralist lens...
Authenticity is not an absolute and constant quality inherent in an object or an experience; it is c...
This article examines the question of authenticity in relation to 3D visualisation of historic objec...
The notion of authenticity seems to have grown more and more important for artistic documents during...
Our understanding of authenticity in the material world is characterized by a problematic dichotomy ...
Scholars and professionals across the disciplines have adopted the concept of authenticity to help f...
This article summarizes the results from recent research focusing on the experience and negotiation ...
preservation: towards an authentic history RANDOLPH STARN Authenticity was neither an exclusive crit...
This article is devoted to the analysis of links between the Venice Charter and the Convention conce...
The goal or criterion of "authenticity" for judging a change in art or ethics or culture is notorio...
Seligman, a 20th-century collector and historian, stated: ‘The first duty of the museums is to give ...
The papers presented in this volume address the concepts and workings of authenticity and replicatio...
This chapter explores the utility of an existentialist understanding of authenticity for the histori...
In an interview with Christina Cameron in 2011, Herb Stovel, one of the masterminds of the Nara Decl...
[EN] The author expounds on the subject of the sometimes diffuse limits between replica and restorat...
This paper analyzes international heritage conservation charters through the post-structuralist lens...