This paper charts some of the taboos and prejudices surrounding the female voice and asks why it is so often the site of anxiety. It suggests that women's voices are commonly identified with the pre-verbal and the body; that in most cultures they connote sexual power and treachery and hence need to be policed. It also argues that the association of the female voice with the maternal voice plays a key role in heightening the anxiety produced by the speaking woman. After examining a number of responses to this problematised female voice - historical, cultural and individual - it ends by considering some ways in which contemporary female speakers and performers are challenging the norms and conventions that have characterised female vocality
"In Silence My Tongue is Broken": The Social Construction of Women's Rhetoric Before 1750 examines t...
In courtship contexts, speakers use specific vocal practices to index attraction and to seduce their...
This research proceeds from the belief that the female voice is silent, or is seemingly absent, in t...
This chapter appears in the book 'Grounds for Possible Music: On Gender, Voice, Language, and Identi...
Using three case studies of work by Hildegard Westerkamp, Janet Cardiff and Jasmeen Patheja this pap...
In 2015, Naomi Wolf warned that the most empowered generation of women ever — today’s twentysomethi...
Communication experts have focused on verbal and nonverbal messages as communicative aspects; howeve...
Since the ancient Greeks, sound production has been considered to be associated with the quality of ...
Includes bibliographical references (leaves 35-39).This study proceeds from the belief that the fema...
The gendering of pitch. In this short essay, I lay out a number of practice-led insights about the g...
Chapter in forthcoming 'Bloomsbury Handbook of Sound Art' Introduction The voice is produced an...
The purpose of this study was to examine powerful and powerless speech styles in relation to sex of ...
This paper explores the experiences of women who "hear voices" (auditory verbal hallucinations). We ...
In recent years, much media attention has been paid to the phenomenon of ‘vocal fry’ – a creaking, g...
This paper explores the experiences of women who “hear voices” (auditory verbal hallucinations). We ...
"In Silence My Tongue is Broken": The Social Construction of Women's Rhetoric Before 1750 examines t...
In courtship contexts, speakers use specific vocal practices to index attraction and to seduce their...
This research proceeds from the belief that the female voice is silent, or is seemingly absent, in t...
This chapter appears in the book 'Grounds for Possible Music: On Gender, Voice, Language, and Identi...
Using three case studies of work by Hildegard Westerkamp, Janet Cardiff and Jasmeen Patheja this pap...
In 2015, Naomi Wolf warned that the most empowered generation of women ever — today’s twentysomethi...
Communication experts have focused on verbal and nonverbal messages as communicative aspects; howeve...
Since the ancient Greeks, sound production has been considered to be associated with the quality of ...
Includes bibliographical references (leaves 35-39).This study proceeds from the belief that the fema...
The gendering of pitch. In this short essay, I lay out a number of practice-led insights about the g...
Chapter in forthcoming 'Bloomsbury Handbook of Sound Art' Introduction The voice is produced an...
The purpose of this study was to examine powerful and powerless speech styles in relation to sex of ...
This paper explores the experiences of women who "hear voices" (auditory verbal hallucinations). We ...
In recent years, much media attention has been paid to the phenomenon of ‘vocal fry’ – a creaking, g...
This paper explores the experiences of women who “hear voices” (auditory verbal hallucinations). We ...
"In Silence My Tongue is Broken": The Social Construction of Women's Rhetoric Before 1750 examines t...
In courtship contexts, speakers use specific vocal practices to index attraction and to seduce their...
This research proceeds from the belief that the female voice is silent, or is seemingly absent, in t...