Ingarden distinguishes four strata making up the structure of the literary work of art: the stratum of word sounds and sound-complexes; the stratum of meaning units; the stratum of represented objectivities (characters, actions, settings, and so forth); and the stratum of schematized aspects (perspectives under which the represented objectivities are given to the reader). It is not only works of literature which manifest this four-fold structure but also certain borderline cases such as newspaper articles, scientific works, biographies, and so forth. Ingarden specifies what is characteristic of a work of literature by asserting that all declarative sentences appearing in the stratum of meaning units of such work possess what he calls a quas...
The article reconstructs the development of Ingarden’s viewpoint on the notions of content and form ...
International audienceThe philosophical reflection on non-existence is an issue that has been tackle...
The paper examines fictional ontologies in relation to the distinction between sacred and profane on...
Ingarden distinguishes four strata making up the structure of the literary work of art: the stratum ...
Ingarden (1962, 1964) postulates that artworks exist in an “Objective purely intentional” way. Accor...
Fictional objects like “Hamlet” or “Rostam” pose many problems for Logicians and thinkers theorizing...
This thesis addresses the problem of the essence and mode of existence of the objects created by sen...
The paper seeks to apply the work of the Polish phenomenologist Roman Ingarden to certain problems i...
The subject of the work is the problem of the fictionality of literary texts. The work is divided in...
John Searle’s and R. Rorty’s deliberations represent two different view on a problem of fictional di...
Each work of literature creates its own world of fiction and presents a series of events that bring ...
The subject of this article is the problem of truth in works of literature. The purpose of presentin...
International audienceThe philosophical reflection on non-existence is an issue that has been tackle...
The contemporary debate in the philosophy of literature is strongly shaped by the anticognitivist ch...
The contemporary debate in the philosophy of literature is strongly shaped by the anti-cognitivist c...
The article reconstructs the development of Ingarden’s viewpoint on the notions of content and form ...
International audienceThe philosophical reflection on non-existence is an issue that has been tackle...
The paper examines fictional ontologies in relation to the distinction between sacred and profane on...
Ingarden distinguishes four strata making up the structure of the literary work of art: the stratum ...
Ingarden (1962, 1964) postulates that artworks exist in an “Objective purely intentional” way. Accor...
Fictional objects like “Hamlet” or “Rostam” pose many problems for Logicians and thinkers theorizing...
This thesis addresses the problem of the essence and mode of existence of the objects created by sen...
The paper seeks to apply the work of the Polish phenomenologist Roman Ingarden to certain problems i...
The subject of the work is the problem of the fictionality of literary texts. The work is divided in...
John Searle’s and R. Rorty’s deliberations represent two different view on a problem of fictional di...
Each work of literature creates its own world of fiction and presents a series of events that bring ...
The subject of this article is the problem of truth in works of literature. The purpose of presentin...
International audienceThe philosophical reflection on non-existence is an issue that has been tackle...
The contemporary debate in the philosophy of literature is strongly shaped by the anticognitivist ch...
The contemporary debate in the philosophy of literature is strongly shaped by the anti-cognitivist c...
The article reconstructs the development of Ingarden’s viewpoint on the notions of content and form ...
International audienceThe philosophical reflection on non-existence is an issue that has been tackle...
The paper examines fictional ontologies in relation to the distinction between sacred and profane on...