Add to ORKGAn essay, which I wrote for the catalog to the exhibition “ARCHESCAPE: the Piranesi Flights,” organized by the Dutch Piranesi scholar Gijs Wallis de Vries. The text, which is necessarily kept short, uses notions of the magnificent and the tragic that I discovered in Hartshorne’s Aesthetic Diagram as discussed in “The Ages of Beauty.
The fictional novel Piranesi set the basis for this speculation. Readings of the novel and the archi...
The ancients did not have printing and so the knowledge of these ancient things was lost and by mean...
Analysis of the space in the series of figures Carceri by Gianbattista Piranesi and the use of the m...
An essay, which I wrote for the catalog to the exhibition “ARCHESCAPE: the Piranesi Flights,” organi...
Giovanni Battista Piranesi\u27s architectural representations have made significant contributions to...
Piranesi was an extraordinarily talented artist who came to be considered the best known engraver an...
The interest of Gianbattista Piranesi (1720 -1778) never wanes. Indeed, it is increasing, as is test...
Rem Koolhaas, a major provocative figure on the global scene of architecture theory since 1978—when ...
Giovanni Battista Piranesi (1720-1778) was an Italian architect, artist, and classist. His views of ...
Abstract. This paper discuss the making of, The Piranesi Project, a Stratigraphy of Views of Rome, a...
The article analyzes the culture of modernity as wholeness, perceived “through the prism” of G.B. Pi...
Giambattista Piranesi, a remarkable artist and outstanding engraver, was also an engineer, archeolog...
Giovanni Battista Piranesi. February - March 1979https://digitalcommons.lasalle.edu/exhibition_catal...
Thesis (Master)--İzmir Institute of Technology, Architecture, İzmir, 2006Includes bibliographical re...
This exhibition (a component of the SoCA 2011 staff show titled "Staff Show") consists of nine artwo...
The fictional novel Piranesi set the basis for this speculation. Readings of the novel and the archi...
The ancients did not have printing and so the knowledge of these ancient things was lost and by mean...
Analysis of the space in the series of figures Carceri by Gianbattista Piranesi and the use of the m...
An essay, which I wrote for the catalog to the exhibition “ARCHESCAPE: the Piranesi Flights,” organi...
Giovanni Battista Piranesi\u27s architectural representations have made significant contributions to...
Piranesi was an extraordinarily talented artist who came to be considered the best known engraver an...
The interest of Gianbattista Piranesi (1720 -1778) never wanes. Indeed, it is increasing, as is test...
Rem Koolhaas, a major provocative figure on the global scene of architecture theory since 1978—when ...
Giovanni Battista Piranesi (1720-1778) was an Italian architect, artist, and classist. His views of ...
Abstract. This paper discuss the making of, The Piranesi Project, a Stratigraphy of Views of Rome, a...
The article analyzes the culture of modernity as wholeness, perceived “through the prism” of G.B. Pi...
Giambattista Piranesi, a remarkable artist and outstanding engraver, was also an engineer, archeolog...
Giovanni Battista Piranesi. February - March 1979https://digitalcommons.lasalle.edu/exhibition_catal...
Thesis (Master)--İzmir Institute of Technology, Architecture, İzmir, 2006Includes bibliographical re...
This exhibition (a component of the SoCA 2011 staff show titled "Staff Show") consists of nine artwo...
The fictional novel Piranesi set the basis for this speculation. Readings of the novel and the archi...
The ancients did not have printing and so the knowledge of these ancient things was lost and by mean...
Analysis of the space in the series of figures Carceri by Gianbattista Piranesi and the use of the m...