What follows here is not a definition of art by decree. Nor is this some kind of art manifesto. We are not saying this is how art should be, or could be, but how it is, if you let go of the prison of aesthetics, and follow an infinitely more interesting conceptual trail. This is about uncovering and identifying an approach to art which avoids the triviality of sensory-based aesthetic theory and moves instead towards exploring the experiential worlds that art presents us with. And this approach is not about diminishing the sensory enjoyment of artworks, but about placing them in a much richer context, where they can work a far greater magic
In this brief account I argue that art ought to be an enterprise wherein the artist tries to underst...
Art is a creative phenomenon which changes constantly, not just insofar as it is being created conti...
Is aesthetics only about art that is beautiful as conventionally understood? If not, what purpose do...
Art eludes definition. The heterogeneity of what counts as art, especially taking into account conte...
Modern art has yet to be properly explained and given its own distinctive and authentic philosophy. ...
Abstract: For art to be art it has to present the viewer with a distinctly out-of-the-ordinary persp...
In this paper the author reviews the most debated theories of art in contemporary aesthetics and off...
Art is not political action. Art is not education. Art does not exist to make society stronger, or t...
The most fundamental problem in the philosophy of art is finding an adequate definition for the term...
The essence of art lies in its being the manifestation, on an individual level, of the collective co...
‘Art’ still needs a practical, useful definition, not of the academic variety, but rather of the pla...
Aesthetic definitions of art face difficulties in dealing with art that is nonaesthetic. This has l...
There’s no doubt, Leibniz was wrong: this is not the best of all possible worlds. In the past, men f...
Abstract. It may seem that much contemporary art can be characterised as shock art – art whose sole ...
What is the sense of the question “What is art?” It may seem that the only adequate answer will be t...
In this brief account I argue that art ought to be an enterprise wherein the artist tries to underst...
Art is a creative phenomenon which changes constantly, not just insofar as it is being created conti...
Is aesthetics only about art that is beautiful as conventionally understood? If not, what purpose do...
Art eludes definition. The heterogeneity of what counts as art, especially taking into account conte...
Modern art has yet to be properly explained and given its own distinctive and authentic philosophy. ...
Abstract: For art to be art it has to present the viewer with a distinctly out-of-the-ordinary persp...
In this paper the author reviews the most debated theories of art in contemporary aesthetics and off...
Art is not political action. Art is not education. Art does not exist to make society stronger, or t...
The most fundamental problem in the philosophy of art is finding an adequate definition for the term...
The essence of art lies in its being the manifestation, on an individual level, of the collective co...
‘Art’ still needs a practical, useful definition, not of the academic variety, but rather of the pla...
Aesthetic definitions of art face difficulties in dealing with art that is nonaesthetic. This has l...
There’s no doubt, Leibniz was wrong: this is not the best of all possible worlds. In the past, men f...
Abstract. It may seem that much contemporary art can be characterised as shock art – art whose sole ...
What is the sense of the question “What is art?” It may seem that the only adequate answer will be t...
In this brief account I argue that art ought to be an enterprise wherein the artist tries to underst...
Art is a creative phenomenon which changes constantly, not just insofar as it is being created conti...
Is aesthetics only about art that is beautiful as conventionally understood? If not, what purpose do...