I argue that when we use email, text messaging, or social media websites such as Facebook to interact, rather than communicating face-to-face, we do not experience the best kind of empathy, which is most conducive to experiencing benevolence for others. My arguments rely on drawing interdisciplinary connections between sources: early modern accounts of sympathy, dance theory, philosophy of technology, and neuroscience/psychology. I reflect on theories from these disciplines which, taken together, suggest that to empathize optimally, we must see or hear each other’s bodily gestures, vocal intonations, and facial expressions
The world is more and more connected and yet we are often physically distant from people we care abo...
In this paper I aim to show with the aid of philosophers Edith Stein and Peter Goldie, how empathy a...
Through a consideration of audience experience of embodiment in\ud contemporary dance performance, t...
I argue that when we use email, text messaging, or social media websites such as Facebook to interac...
This paper examines the role and significance of kinesthetic empathy through a framework modeled in ...
Relationships have been shown to be essential for well-being. The amount of data showcasing the bene...
Touch is our primary non-verbal communication channel for conveying intimate emotions and as such es...
This paper focuses on the rhythmic interrelationships between the sensing body and the sensing compu...
<p>The article builds on my hypothesis that kinesthetic media features in digital artworks allow for...
This chapter discusses the juncture between empathy and presence pronounced in my telematic artworks...
This qualitative study was designed to investigate the phenomenon of kinesthetic empathy and its im...
With new technologies such as body sensors, tangible interaction, haptics, interactive cloth, or sma...
Experience of touching and feeling touched is fundamental to human well-being, of safety and trust. ...
Empathy is often expressed as our ability to ‘stand in someone else’s shoes’ and is now viewed as an...
Empathy plays a crucial role in fostering positive social interactions and is elicited through verba...
The world is more and more connected and yet we are often physically distant from people we care abo...
In this paper I aim to show with the aid of philosophers Edith Stein and Peter Goldie, how empathy a...
Through a consideration of audience experience of embodiment in\ud contemporary dance performance, t...
I argue that when we use email, text messaging, or social media websites such as Facebook to interac...
This paper examines the role and significance of kinesthetic empathy through a framework modeled in ...
Relationships have been shown to be essential for well-being. The amount of data showcasing the bene...
Touch is our primary non-verbal communication channel for conveying intimate emotions and as such es...
This paper focuses on the rhythmic interrelationships between the sensing body and the sensing compu...
<p>The article builds on my hypothesis that kinesthetic media features in digital artworks allow for...
This chapter discusses the juncture between empathy and presence pronounced in my telematic artworks...
This qualitative study was designed to investigate the phenomenon of kinesthetic empathy and its im...
With new technologies such as body sensors, tangible interaction, haptics, interactive cloth, or sma...
Experience of touching and feeling touched is fundamental to human well-being, of safety and trust. ...
Empathy is often expressed as our ability to ‘stand in someone else’s shoes’ and is now viewed as an...
Empathy plays a crucial role in fostering positive social interactions and is elicited through verba...
The world is more and more connected and yet we are often physically distant from people we care abo...
In this paper I aim to show with the aid of philosophers Edith Stein and Peter Goldie, how empathy a...
Through a consideration of audience experience of embodiment in\ud contemporary dance performance, t...