This paper describes research to inform the production of spatial audio that consolidates knowledge from several disparate fields. A perceptual model is proposed, based on contemporary perception theories, as the basis for new approaches to audio spatial understanding and a new approach to the generation of artificial sound fields. A fine-grain, modular model of perception is suggested that will allow audio attributes to have perceptual significance with respect to their causal trajectories. This represents an evolution towards the construction of believable sound fields from the traditional geometric, direction based approach to sound spatialisation.n/
Our ability to derive spatial impressions from a sound field is based on the facts that we have two ...
This presentation, accompanying a conference paper at the Audio Engineering Society's 52nd Annual Co...
Spatial audio has been studied for several decades, but has seen much renewed interest recently due ...
Recent work in audio and visual perception suggests that, over and above sensory acuities, explorati...
Recent work in audio and visual perception suggests that, over and above sensory acuities, explorati...
This paper describes large scale implementations of spatial audio systems which focus on the present...
Audio systems and recordings are optimized for listening at the ’sweet spot’, but how well do they w...
From the early days of reproduced sound, engineers have sought to reproduce the spatial properties o...
While many people have sought to capture and document sounds for posterity, particularly those consi...
This thesis describes the methodology that has been followed for the implementation of a biologicall...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
The perceptual evaluation of spatial audio systems may be based on singular auditory qualities such ...
As audio reproduction systems evolve to incorporate many loudspeakers, the potential to evoke faithf...
Spatial attributes of reproduced sound have typically been described using primarily verbal descript...
Our ability to derive spatial impressions from a sound field is based on the facts that we have two ...
This presentation, accompanying a conference paper at the Audio Engineering Society's 52nd Annual Co...
Spatial audio has been studied for several decades, but has seen much renewed interest recently due ...
Recent work in audio and visual perception suggests that, over and above sensory acuities, explorati...
Recent work in audio and visual perception suggests that, over and above sensory acuities, explorati...
This paper describes large scale implementations of spatial audio systems which focus on the present...
Audio systems and recordings are optimized for listening at the ’sweet spot’, but how well do they w...
From the early days of reproduced sound, engineers have sought to reproduce the spatial properties o...
While many people have sought to capture and document sounds for posterity, particularly those consi...
This thesis describes the methodology that has been followed for the implementation of a biologicall...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
The perceptual evaluation of spatial audio systems may be based on singular auditory qualities such ...
As audio reproduction systems evolve to incorporate many loudspeakers, the potential to evoke faithf...
Spatial attributes of reproduced sound have typically been described using primarily verbal descript...
Our ability to derive spatial impressions from a sound field is based on the facts that we have two ...
This presentation, accompanying a conference paper at the Audio Engineering Society's 52nd Annual Co...
Spatial audio has been studied for several decades, but has seen much renewed interest recently due ...