Add to ORKGThe Nyangatom woman is a continuation of research focusing on various African cultures. With this piece I wanted to further expand my knowledge of working with batik resist technique. I also wanted to experiment with beading on leather. This piece was inspired by the Nyangatom tribe of the Omo Valley located in Southwest Ethiopia crossing over into the Sudan border
I am always intrigued by the way a woman looks when she walks away. For this fabric manipulation pro...
Non-loom techniques used by generations of women in New Guinea to create everyday necessities, and b...
Women in East Africa appear to be in a unique position worldwide: their everyday dresses are not onl...
Royal Mbebana is a continuation of exploration into various African cultures and fables. This piec...
The concept was to combine diverse cultural approaches to design, using traditional and digital text...
Bògòlanfini in Leather was inspired by the traditional art of bògòlanfini (mud cloth), dating ba...
It was the intent of this designer to contribute to the field by delving into a unique, hands-on enc...
The paper focuses on the context of a traditional women’s wearing component – a leather skirt – on t...
While today kanga textiles are commonly thought of as bearers of east African or Swahili culture, th...
The Kalahari Ijo people of the Niger Delta area of southeastern Nigeria use a group of dark indigo-b...
After conducting anthropological research about what modern women are looking for in clothing I crea...
Batik, the technique of patterning cloth through the application of wax, reached the highest level o...
Unfortunately, there is still a profound ambivalence in the true historiography of Africa; much of ...
The Kuba Kingdom resides in the central Kasai region of the Democratic Republic of Congo. The numero...
Cowhide dress (mose oa khomo) used to symbolise Basotho women's traditional attire, but recently it ...
I am always intrigued by the way a woman looks when she walks away. For this fabric manipulation pro...
Non-loom techniques used by generations of women in New Guinea to create everyday necessities, and b...
Women in East Africa appear to be in a unique position worldwide: their everyday dresses are not onl...
Royal Mbebana is a continuation of exploration into various African cultures and fables. This piec...
The concept was to combine diverse cultural approaches to design, using traditional and digital text...
Bògòlanfini in Leather was inspired by the traditional art of bògòlanfini (mud cloth), dating ba...
It was the intent of this designer to contribute to the field by delving into a unique, hands-on enc...
The paper focuses on the context of a traditional women’s wearing component – a leather skirt – on t...
While today kanga textiles are commonly thought of as bearers of east African or Swahili culture, th...
The Kalahari Ijo people of the Niger Delta area of southeastern Nigeria use a group of dark indigo-b...
After conducting anthropological research about what modern women are looking for in clothing I crea...
Batik, the technique of patterning cloth through the application of wax, reached the highest level o...
Unfortunately, there is still a profound ambivalence in the true historiography of Africa; much of ...
The Kuba Kingdom resides in the central Kasai region of the Democratic Republic of Congo. The numero...
Cowhide dress (mose oa khomo) used to symbolise Basotho women's traditional attire, but recently it ...
I am always intrigued by the way a woman looks when she walks away. For this fabric manipulation pro...
Non-loom techniques used by generations of women in New Guinea to create everyday necessities, and b...
Women in East Africa appear to be in a unique position worldwide: their everyday dresses are not onl...