The accompanying DVD for this thesis will be made available with a hard copy of the thesis in the University's main libraryThis thesis is concerned with extending the role that live performance might play in our understanding of the work of the interrelated avant-garde performance communities that emerged in New York in the 1960s and early 1970s. This is a practice-led project that uses my own performance work as the site of its enquiry. In the last decade performance itself has begun to play a significant role in our understanding of and relationship to past performances, in the main through the increasing pervasion of re-enactment as an acknowledged historiographical trope. However, as a consequence of its association with re-enactment,...
Technology usually implies the distancing of the human experience, but I argue what technology has e...
Abstract This paper investigates the potential of the disparate and unconventional aspects of what c...
This thesis explores theatre's capacity to act as a medium for the 'production' of history. Proposin...
This thesis is concerned with extending the role that live performance might play in our understandi...
Live performance lacks the durability of art practices such as photography, film and painting, and s...
Live performance lacks the durability of art practices such as photography, film and painting, and ...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
Performance and performativity are, however, equivocal words and concepts, with diverse connotations...
This thesis evaluates the contemporary relevance of recent historical relationships between alternat...
This paper investigates representations of performance and the role of the archive. Notions of recor...
Between 1978 and 1983 High Performance, a magazine devoted to performance art, ran open submissions ...
"Performing Archives/Archives of Performance contributes to the ongoing critical discussions of perf...
In 2001, the artist Jeremy Deller staged a re-enactment of a key encounter in Orgreave, Sheffield be...
This thesis explores whether and how audience-generated content produced from and about audiences’ e...
This thesis, On Smoke and Fog: Performance Re-visioning, Remembrance and Reclamation, criti- cally e...
Technology usually implies the distancing of the human experience, but I argue what technology has e...
Abstract This paper investigates the potential of the disparate and unconventional aspects of what c...
This thesis explores theatre's capacity to act as a medium for the 'production' of history. Proposin...
This thesis is concerned with extending the role that live performance might play in our understandi...
Live performance lacks the durability of art practices such as photography, film and painting, and s...
Live performance lacks the durability of art practices such as photography, film and painting, and ...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
Performance and performativity are, however, equivocal words and concepts, with diverse connotations...
This thesis evaluates the contemporary relevance of recent historical relationships between alternat...
This paper investigates representations of performance and the role of the archive. Notions of recor...
Between 1978 and 1983 High Performance, a magazine devoted to performance art, ran open submissions ...
"Performing Archives/Archives of Performance contributes to the ongoing critical discussions of perf...
In 2001, the artist Jeremy Deller staged a re-enactment of a key encounter in Orgreave, Sheffield be...
This thesis explores whether and how audience-generated content produced from and about audiences’ e...
This thesis, On Smoke and Fog: Performance Re-visioning, Remembrance and Reclamation, criti- cally e...
Technology usually implies the distancing of the human experience, but I argue what technology has e...
Abstract This paper investigates the potential of the disparate and unconventional aspects of what c...
This thesis explores theatre's capacity to act as a medium for the 'production' of history. Proposin...