Published version deposited following SHERPA/RoMEO guidelines. Copyright CUP. Definitive version available at: http://dx.doi.org/10.1017/S0266464X11000455This essay articulates a South Asian understanding of embodied psychophysical practices and processes with a specific focus on Kerala, India. In addition to consulting relevant Indian texts and contemporary scholarly accounts, it is based upon extensive ethnographic research and practice conducted with actors, dancers, yoga practitioners, and martial artists in Kerala between 1976 and 2003. During 2003 the author conducted extensive interviews with kutiyattam and kathakali actors about how they understand, talk about, and teach acting within their lineage of teaching/performance
In Kalingatupparani, Jyangondar explains about the eight realistic incidents. They are actions that ...
The video associated with this thesis is located in ORE at: https://doi.org/10.24378/exe.4404This th...
Thesis (M.Ed)--University of Melbourne, 1996This study focuses on transformation in the classical In...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...
This book explores the training methods, performance and aesthetics of Kudiyattam , the oldest exis...
This invited lecture presents a number of ways in which various theoretical and practical approaches...
This thesis looks at the diverse aesthetic approaches of onlookers to Kathakali, a traditional dance...
This study focuses on the ways in which various forms of embodied performances—dramatic, devotional,...
This article uses an experiential approach to analyze the embodied aesthetics of classical Indian da...
Mirrored walls are common feature in the dance studios at sports centres, theatres or within a unive...
The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry ‒ This article intends to analy...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...
This thesis proposes an embodied performance practice that is simultaneously decolonised and cross-c...
The term evocative body refers to a concept of the body introducing, defining and explaining the ‘ev...
Thesis (PhD)--Macquarie University, Faculty of Arts, Dept, of Anthropology, 2012.Bibliography: p. 26...
In Kalingatupparani, Jyangondar explains about the eight realistic incidents. They are actions that ...
The video associated with this thesis is located in ORE at: https://doi.org/10.24378/exe.4404This th...
Thesis (M.Ed)--University of Melbourne, 1996This study focuses on transformation in the classical In...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...
This book explores the training methods, performance and aesthetics of Kudiyattam , the oldest exis...
This invited lecture presents a number of ways in which various theoretical and practical approaches...
This thesis looks at the diverse aesthetic approaches of onlookers to Kathakali, a traditional dance...
This study focuses on the ways in which various forms of embodied performances—dramatic, devotional,...
This article uses an experiential approach to analyze the embodied aesthetics of classical Indian da...
Mirrored walls are common feature in the dance studios at sports centres, theatres or within a unive...
The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry ‒ This article intends to analy...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...
This thesis proposes an embodied performance practice that is simultaneously decolonised and cross-c...
The term evocative body refers to a concept of the body introducing, defining and explaining the ‘ev...
Thesis (PhD)--Macquarie University, Faculty of Arts, Dept, of Anthropology, 2012.Bibliography: p. 26...
In Kalingatupparani, Jyangondar explains about the eight realistic incidents. They are actions that ...
The video associated with this thesis is located in ORE at: https://doi.org/10.24378/exe.4404This th...
Thesis (M.Ed)--University of Melbourne, 1996This study focuses on transformation in the classical In...