Chinese embroideries have featured in British domestic interiors since at least the seventeenth century. However, Western imperial interests in China during the mid-nineteenth and early twentieth century created a particular set of meanings around Chinese material culture, especially a colonial form of nostalgia for pre-nineteenth century China, with its emperors and 'exotic' court etiquette. This article examines the use of Chinese satin-stitch embroideries in British homes between 1860 and 1949, and explores how a range of British identities was constructed through the ownership, manipulation and display of these luxury Chinese textiles
In the eighteenth century, both the British and Chinese Empires boasted imperial might through the p...
This chapter examines the consumption, collection, and display of one body of material culture promi...
This article examines intercultural interactions between Europe and China in the eighteenth century....
Western imperial interests in China between the mid-19th and early-20th centuries created a particul...
This article examines Chinoiserie which appeared in English furniture during the period between the ...
This PhD project seeks to understand how chinaware was used and appreciated in London tradesmen’s ho...
This thesis investigates two chinoiserie tapestries that appeared in Europe in the 1680s and 1690s t...
The chapter documents an aspect of early twentieth century interior design that has been neglected b...
George Smith\u27s painting, ‘The Rightful Heir’, exhibited at the Royal Academy in 1874, serves as a...
This research investigates the roots of Chinese export watercolours - produced at Canton for Western...
This thesis focuses on paper hangings, an hitherto understudied material in comparison to other comp...
This article explores how luxury Chinese items were sold in London department stores between 1890 an...
[From introductory paragraph] FOR CENTURIES THE WEST has been fascinated with China or, at least, an...
Britain is widely recognised as the home of many significant collections of Chinese art, such as the...
Panel 2 - 2A: Asia to and froConference Theme: Victorian TransportThis study takes a cross-cultural ...
In the eighteenth century, both the British and Chinese Empires boasted imperial might through the p...
This chapter examines the consumption, collection, and display of one body of material culture promi...
This article examines intercultural interactions between Europe and China in the eighteenth century....
Western imperial interests in China between the mid-19th and early-20th centuries created a particul...
This article examines Chinoiserie which appeared in English furniture during the period between the ...
This PhD project seeks to understand how chinaware was used and appreciated in London tradesmen’s ho...
This thesis investigates two chinoiserie tapestries that appeared in Europe in the 1680s and 1690s t...
The chapter documents an aspect of early twentieth century interior design that has been neglected b...
George Smith\u27s painting, ‘The Rightful Heir’, exhibited at the Royal Academy in 1874, serves as a...
This research investigates the roots of Chinese export watercolours - produced at Canton for Western...
This thesis focuses on paper hangings, an hitherto understudied material in comparison to other comp...
This article explores how luxury Chinese items were sold in London department stores between 1890 an...
[From introductory paragraph] FOR CENTURIES THE WEST has been fascinated with China or, at least, an...
Britain is widely recognised as the home of many significant collections of Chinese art, such as the...
Panel 2 - 2A: Asia to and froConference Theme: Victorian TransportThis study takes a cross-cultural ...
In the eighteenth century, both the British and Chinese Empires boasted imperial might through the p...
This chapter examines the consumption, collection, and display of one body of material culture promi...
This article examines intercultural interactions between Europe and China in the eighteenth century....