This paper explores group improvisation and interaction through the concept of Mitsein (being with). The activities of the electro-acoustic ensemble ‘Hidden City’ are discussed, with emphasis on the way the group’s approach to improvisation has expanded through the use of technology to incorporate not only the ensemble members, but collaborative machines and the audience.Stephen Whittington and Luke Harraldhttp://www.icmc2009.org
This dissertation is an ethnographic examination of contemporary musicians who improvise with new, r...
This dissertation offers a descriptive, anthropological account of diverse phenomenologies of egalit...
This document investigates interaction between human performers and various interactive technologies...
This article presents experiences and reflections related to performing improvised, live processed e...
All Copyright remains with the author © Copyright 2007This paper discusses developments of ENSEMBLE,...
The evolution of networked audio technologies has created unprecedented opportunities for musicians ...
This article documents experiences of Glasgow Improvisers Orchestra’s virtual, synchronous improvisa...
Improvisation is a practice as old as music; the laptop orchestra possibly the newest of ensembles. ...
This article documents experiences of Glasgow Improvisers Orchestra’s virtual, synchronous improvisa...
The development of interactive performance systems is an active area of research in the field of liv...
The 2017 set by the electroacoustic duo Third City comprised five pieces, each defined by an audio p...
This thesis presents practical work and theoretical research spanning topics in music composition, p...
This research is an auto-ethnographic study of a portfolio of compositions and performances in ensem...
Ensemble improvisation can lead to different roles being taken by the performers as a result of, for...
Our paper will describe the creative process of Zaum: Beyond Mind an interactive sound theater perfo...
This dissertation is an ethnographic examination of contemporary musicians who improvise with new, r...
This dissertation offers a descriptive, anthropological account of diverse phenomenologies of egalit...
This document investigates interaction between human performers and various interactive technologies...
This article presents experiences and reflections related to performing improvised, live processed e...
All Copyright remains with the author © Copyright 2007This paper discusses developments of ENSEMBLE,...
The evolution of networked audio technologies has created unprecedented opportunities for musicians ...
This article documents experiences of Glasgow Improvisers Orchestra’s virtual, synchronous improvisa...
Improvisation is a practice as old as music; the laptop orchestra possibly the newest of ensembles. ...
This article documents experiences of Glasgow Improvisers Orchestra’s virtual, synchronous improvisa...
The development of interactive performance systems is an active area of research in the field of liv...
The 2017 set by the electroacoustic duo Third City comprised five pieces, each defined by an audio p...
This thesis presents practical work and theoretical research spanning topics in music composition, p...
This research is an auto-ethnographic study of a portfolio of compositions and performances in ensem...
Ensemble improvisation can lead to different roles being taken by the performers as a result of, for...
Our paper will describe the creative process of Zaum: Beyond Mind an interactive sound theater perfo...
This dissertation is an ethnographic examination of contemporary musicians who improvise with new, r...
This dissertation offers a descriptive, anthropological account of diverse phenomenologies of egalit...
This document investigates interaction between human performers and various interactive technologies...