Hildegard of Bingen (1098-1179) was a German abbess in medieval times. She has been a saint of the Catholic church only since 2012, but she was a genius of her time. A woman of many talents, she was a composer, a theologian, an early scientist, writer, and so on. In her lifetime, she only wrote one play, Ordo Virtutum (or The Order of the Virtues), which was performed in 1152. This project sought to seek as much information as possible on why she created this play and its place in the history of theatre
Hildegard of Bingen, Abbess of convents at Rupertsberg and Elbingen in the 12th century, explained t...
The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the G...
The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the G...
The Ordo Virtutum, a twelfth-century musical drama by abbess Hildegard of Bingen, details a now-fami...
Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the li...
The Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known exa...
Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the li...
The studies on the type of versification that the Rhenish abbess and mystic Hildegard of Bingen (109...
Els estudis sobre el tipus de versificació que l’abadessa mística renana Hildegarda de Bingen (1098 ...
In 1147, a German abbess, composer, and mystic received instructions from God to describe and interp...
The topic of this work is a look at the treatment procedures and medical ideas of a medieval heale...
Hildegard of Bingen's Ordo Virtutum (c.1141), the earliest liturgical morality play, presents in sma...
A sacred drama in plain chant composed by Hildegard von Bingen. A performance of the 12th century me...
This definitive program traces the development of medieval drama, from Hildegard von Bingen's musica...
This paper examines Hildegard of Bingen’s journey from a 12 century Benedictine abbess, who was cons...
Hildegard of Bingen, Abbess of convents at Rupertsberg and Elbingen in the 12th century, explained t...
The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the G...
The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the G...
The Ordo Virtutum, a twelfth-century musical drama by abbess Hildegard of Bingen, details a now-fami...
Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the li...
The Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known exa...
Composed by Hildegard of Bingen in the Rhine-Hessen region in the middle of the 12th century, the li...
The studies on the type of versification that the Rhenish abbess and mystic Hildegard of Bingen (109...
Els estudis sobre el tipus de versificació que l’abadessa mística renana Hildegarda de Bingen (1098 ...
In 1147, a German abbess, composer, and mystic received instructions from God to describe and interp...
The topic of this work is a look at the treatment procedures and medical ideas of a medieval heale...
Hildegard of Bingen's Ordo Virtutum (c.1141), the earliest liturgical morality play, presents in sma...
A sacred drama in plain chant composed by Hildegard von Bingen. A performance of the 12th century me...
This definitive program traces the development of medieval drama, from Hildegard von Bingen's musica...
This paper examines Hildegard of Bingen’s journey from a 12 century Benedictine abbess, who was cons...
Hildegard of Bingen, Abbess of convents at Rupertsberg and Elbingen in the 12th century, explained t...
The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the G...
The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the G...