Between the 1870s and 1945, dress was a signifier of Japan’s transition from an ‘Oriental’ country - subordinate to the West - to a bearer of ‘universal’ modernity in East Asia. By the early 20th century, when Japan had largely achieved diplomatic equality with the West and colonial dominion over parts of Asia, Western dress had come to be taken for granted by ‘modern’ Japanese men and used as a symbol of equal rights by some Japanese women
Acknowledgments: The authors thank two anonymous referees for their comments and suggestions. All ph...
Author Institution: Department of Sociology and Anthropology, The Ohio State University, Columbus 1
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of m...
Between the 1870s and 1945, dress was a signifier of Japan’s transition from an ‘Oriental’ country -...
Between the 1870s and 1945, dress was one of the signifiers ofJapan\u27s transition from being objec...
This thesis examines conceptions of Japanese feminine beauty from the seventeenth to the early twent...
The society of Japan underwent a sea change brought upon by the process of modernisation during the ...
This presentation addresses issues inherent to the ukiyo-e culture of the 1870s-1890s. After opening...
The adoption of trousers was the most significant change in Western women's dress in the 20th centur...
This study illuminates how Westerners in the late 19th century thought about and evaluated tradition...
This thesis examines the verbal and visual representations of Japanese women in\ud order to elucidat...
This paper examines the development of popular kimono fashion from the late 19th century through the...
In the late nineteenth century, Japan was the only non Western country to have successfully faced th...
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history throu...
INTRODUCTION Since the mid-nineteenth century, there has been an enduring relationship between We...
Acknowledgments: The authors thank two anonymous referees for their comments and suggestions. All ph...
Author Institution: Department of Sociology and Anthropology, The Ohio State University, Columbus 1
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of m...
Between the 1870s and 1945, dress was a signifier of Japan’s transition from an ‘Oriental’ country -...
Between the 1870s and 1945, dress was one of the signifiers ofJapan\u27s transition from being objec...
This thesis examines conceptions of Japanese feminine beauty from the seventeenth to the early twent...
The society of Japan underwent a sea change brought upon by the process of modernisation during the ...
This presentation addresses issues inherent to the ukiyo-e culture of the 1870s-1890s. After opening...
The adoption of trousers was the most significant change in Western women's dress in the 20th centur...
This study illuminates how Westerners in the late 19th century thought about and evaluated tradition...
This thesis examines the verbal and visual representations of Japanese women in\ud order to elucidat...
This paper examines the development of popular kimono fashion from the late 19th century through the...
In the late nineteenth century, Japan was the only non Western country to have successfully faced th...
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history throu...
INTRODUCTION Since the mid-nineteenth century, there has been an enduring relationship between We...
Acknowledgments: The authors thank two anonymous referees for their comments and suggestions. All ph...
Author Institution: Department of Sociology and Anthropology, The Ohio State University, Columbus 1
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of m...