In 2005, at the DAAD Galerie in Berlin, Agostino Di Scipio composed an ecosystemic work: Ohne Titel, Ökosystemische Klanginstallation in einem kleinen halligen Raum (Untitled 2005, Ecosystemic Sound Installation in a Small Reverberant Space). This particular work leads the listener to wonder what sound is. In this installation, like in all the Agostino Di Scipio’s ecosystemic works, the difference between space and time is weak. By exploring the dynamical aspect of sound, the composer and the listener have to link again these two worlds together which were separated by the philosophy an by the arts. By analysing this work, we try to find this dynamical combination
Conference paper contributing to conference theme 'Electroacoustic Music Beyond Concert Performance'...
Within contemporary artistic productions, Sound Art is the art that uses sound as a fundamental elem...
Seizing the sensitive turning point in the studies on inhabited spaces, this essay tries to clarify ...
In 2005, at the DAAD Galerie in Berlin, Agostino Di Scipio composed an ecosystemic work: Ohne Titel,...
Agostino Di Scipio refers in his works to theoretical implications of system theory and transfers it...
International audienceThis paper bears on Agostino Di Scipio’s work from the years 1987–2000. Early ...
In the lecture transcribed here, Di Scipio commented on one of his sound installations, Condotte Pub...
International audienceThis paper discusses the possibility of analysing (in the musical meaning of t...
My research focuses on the music of the Italian composer Salvatore Sciarrino (Palermo, 1947), with r...
International audienceWhile composing with an ecosystemic approach, Di Scipio creates an audio syste...
The research investigates the dynamic relations between sound, space and the audience perception as...
International audienceWhile composing with an ecosystemic approach, Di Scipio creates an audiosystem...
Whilst various spatial formats for music reproduction exist their reason for existence is not always...
A person listening to music can be said to “hear space” in two senses: metaphorically, when the musi...
Submitted thesis is a result of searching for relationships between music and space, between musical...
Conference paper contributing to conference theme 'Electroacoustic Music Beyond Concert Performance'...
Within contemporary artistic productions, Sound Art is the art that uses sound as a fundamental elem...
Seizing the sensitive turning point in the studies on inhabited spaces, this essay tries to clarify ...
In 2005, at the DAAD Galerie in Berlin, Agostino Di Scipio composed an ecosystemic work: Ohne Titel,...
Agostino Di Scipio refers in his works to theoretical implications of system theory and transfers it...
International audienceThis paper bears on Agostino Di Scipio’s work from the years 1987–2000. Early ...
In the lecture transcribed here, Di Scipio commented on one of his sound installations, Condotte Pub...
International audienceThis paper discusses the possibility of analysing (in the musical meaning of t...
My research focuses on the music of the Italian composer Salvatore Sciarrino (Palermo, 1947), with r...
International audienceWhile composing with an ecosystemic approach, Di Scipio creates an audio syste...
The research investigates the dynamic relations between sound, space and the audience perception as...
International audienceWhile composing with an ecosystemic approach, Di Scipio creates an audiosystem...
Whilst various spatial formats for music reproduction exist their reason for existence is not always...
A person listening to music can be said to “hear space” in two senses: metaphorically, when the musi...
Submitted thesis is a result of searching for relationships between music and space, between musical...
Conference paper contributing to conference theme 'Electroacoustic Music Beyond Concert Performance'...
Within contemporary artistic productions, Sound Art is the art that uses sound as a fundamental elem...
Seizing the sensitive turning point in the studies on inhabited spaces, this essay tries to clarify ...