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AymaraPopulated place
Presents an the exhibition features objects, from traditional ¿Aymara¿ textiles to beautiful Potosí silver artifacts, religious and mundane, that reflect the profound influence of indigenous traditions in many aspects of Bolivian life, from pre-Columbian times to the present.
Interest on indigenous material culture goes back to early times. The interest of travelers, explore...
The following contribution will show the importance of artefacts and of "material culture" in the ca...
Kaltmeier O, Thies S. Imaginarios del Estado en Bolivia. In: Kaltmeier O, Büschges C, Thies S, eds. ...
Bolivian folk art is created in both urban and rural areas, and like the people of Bolivia themselve...
Through discussion of my experience with Yuquí community members in Bolivia, I reflect upon a widesp...
This chapter is concerned with the links between the material culture of the ancient site of Tiwanak...
The purpose of the exhibit Peruvian Textile Traditions: A Living Heritage was to showcase Peruvian d...
This article appears as part of the special issue on Archaeology and New Religious Movements . Boli...
Fifty-six 20th century Mayan objects in fabric and wood from private collections and the permanent c...
Este artículo analiza el proceso de musealización de las poblaciones indígenas en América Latina. De...
In 2016, Bolivia’s indigenous fashions gained a place on the global stage. The Brazilian ambassador...
The first images of indigenous populations of lowland Bolivia in the ninetheenth century were not ph...
In this paper we proposes an iconographic approach to the piece Álbum de paisajes, tipos humanos y c...
Currently, ethnographic collections are at the center of a debate about the new meaning of museum co...
STRATTON-PRUITT Suzanne (dir.), The Art of Painting in Colonial Bolivia / El arte de la pintura en B...
Interest on indigenous material culture goes back to early times. The interest of travelers, explore...
The following contribution will show the importance of artefacts and of "material culture" in the ca...
Kaltmeier O, Thies S. Imaginarios del Estado en Bolivia. In: Kaltmeier O, Büschges C, Thies S, eds. ...
Bolivian folk art is created in both urban and rural areas, and like the people of Bolivia themselve...
Through discussion of my experience with Yuquí community members in Bolivia, I reflect upon a widesp...
This chapter is concerned with the links between the material culture of the ancient site of Tiwanak...
The purpose of the exhibit Peruvian Textile Traditions: A Living Heritage was to showcase Peruvian d...
This article appears as part of the special issue on Archaeology and New Religious Movements . Boli...
Fifty-six 20th century Mayan objects in fabric and wood from private collections and the permanent c...
Este artículo analiza el proceso de musealización de las poblaciones indígenas en América Latina. De...
In 2016, Bolivia’s indigenous fashions gained a place on the global stage. The Brazilian ambassador...
The first images of indigenous populations of lowland Bolivia in the ninetheenth century were not ph...
In this paper we proposes an iconographic approach to the piece Álbum de paisajes, tipos humanos y c...
Currently, ethnographic collections are at the center of a debate about the new meaning of museum co...
STRATTON-PRUITT Suzanne (dir.), The Art of Painting in Colonial Bolivia / El arte de la pintura en B...
Interest on indigenous material culture goes back to early times. The interest of travelers, explore...
The following contribution will show the importance of artefacts and of "material culture" in the ca...
Kaltmeier O, Thies S. Imaginarios del Estado en Bolivia. In: Kaltmeier O, Büschges C, Thies S, eds. ...
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