Add to ORKGThe essay illustrates the cultural strategies through which Giorgio de Chirico managed to negotiate his original classicism within the primitivist-oriented Parisian avant-garde circle of Picasso and Apollinaire between 1911 and 1915, arguing that this negotiation was assisted by a broader reframing of classicism in Western Europe at the turn of the twentieth centur
This thesis provides a fresh evaluation of neo-classicism through the outline and clarification of i...
François-Georges Pariset : Neoclassicism Around 1800 : Three Exhibitions. The author reviews three ...
Paris 1950 Italian art from France between Cahiers d’Art and Exposition d’Art Moderne Italien An e...
From their first unveiling in Parisian salons in the early 1910s, Giorgio de Chirico’s Metaphysical ...
Giorgio De Chirico\u2019s critical reception has been deeply revised since his retrospective was hel...
In 1949, Giorgio de Chirico held a one-man show at London’s Royal Society of British Artists. It fea...
In an infamous 1926 article in La révolution Surréaliste, André Breton roundly condemned Giorgio de ...
Giorgio de Chirico created a series of around 40 paintings in the late 1920s, termed the "uomin...
The essay deals with the expansion of a vision of Classicism generated by one of the last works of J...
This essay deals with some interlaced topics: the concept of avant-garde within Ca\u2019 Pesaro\u201...
The idea that the Avant-garde and Classicism are placed at the antipodes of art history is a commonl...
This book establishes the role of French writer Charles Baudelaire in the formation of paradigms of ...
The article focuses on the problem of spirituality in the avant-garde culture of the beginning of th...
Il contributo analizza alcuni aspetti del rapporto tra l’archeologia e l’arte contemporanea, nel com...
Il saggio cerca di considerare l’opposizione fra Classicismo e Barocco come un effettivo dibattito s...
This thesis provides a fresh evaluation of neo-classicism through the outline and clarification of i...
François-Georges Pariset : Neoclassicism Around 1800 : Three Exhibitions. The author reviews three ...
Paris 1950 Italian art from France between Cahiers d’Art and Exposition d’Art Moderne Italien An e...
From their first unveiling in Parisian salons in the early 1910s, Giorgio de Chirico’s Metaphysical ...
Giorgio De Chirico\u2019s critical reception has been deeply revised since his retrospective was hel...
In 1949, Giorgio de Chirico held a one-man show at London’s Royal Society of British Artists. It fea...
In an infamous 1926 article in La révolution Surréaliste, André Breton roundly condemned Giorgio de ...
Giorgio de Chirico created a series of around 40 paintings in the late 1920s, termed the "uomin...
The essay deals with the expansion of a vision of Classicism generated by one of the last works of J...
This essay deals with some interlaced topics: the concept of avant-garde within Ca\u2019 Pesaro\u201...
The idea that the Avant-garde and Classicism are placed at the antipodes of art history is a commonl...
This book establishes the role of French writer Charles Baudelaire in the formation of paradigms of ...
The article focuses on the problem of spirituality in the avant-garde culture of the beginning of th...
Il contributo analizza alcuni aspetti del rapporto tra l’archeologia e l’arte contemporanea, nel com...
Il saggio cerca di considerare l’opposizione fra Classicismo e Barocco come un effettivo dibattito s...
This thesis provides a fresh evaluation of neo-classicism through the outline and clarification of i...
François-Georges Pariset : Neoclassicism Around 1800 : Three Exhibitions. The author reviews three ...
Paris 1950 Italian art from France between Cahiers d’Art and Exposition d’Art Moderne Italien An e...