This article explores the embodied language Keats uses in The Eve of St. Agnes to capture the senses and emotions of his characters within a framework of contrasts such as life and death, heat and cold, and youth and age. Through a close examination of these and related pairings, which are so effectively established in the opening forty-one lines, this essay highlights the sensuality of Keats’s text, and focuses particularly on the often overlooked or ignored incipient sexuality of the young heroine, Madeline. By doing so, it demonstrates that the crucial scene between Madeline and Porphyro ought to be viewed as love-making between equals, rather than as a seduction
This thesis presents a series of readings of poems by John Keats (1795-1821), and traces through his...
When Keats abruptly claimed, in one ofhis letters, that 'What the imagination seizes as Beauty must ...
Story-telling is a mode central to the practice and achievement of John Keats. In ‘Sleep and Poetry’...
"The Eve of St. Agnes" is one of Keats’s most challenging poems when it comes to the poet’s emotions...
This article aims to interpret dreams in John Keats’s narrative The Eve of St. Agnes from different ...
This paper explores John Keats\u27s 1820 poem The Eve of St. Agnes and the particular ways in which ...
Critics of Keats\u27s Isabella; or, The Pot of Basil (1818) traditionally focus on the poem\u27s tr...
This study argues that John Keats is a poet whose key consideration is empathy and who possesses the...
For I believe that The Eve of St. Agnes is, in its hybrid nature, the most epistolary poem of the Ro...
John Keats is a well-known Romantic poet of the 19th century who has become the most sensuous poet o...
Whenever anyone thinks about the poetry of John Keats, the word beauty instantly comes to mind. His ...
Keats is “the most honest, the least self-deceiving . . .of the Romantics,” says Mr. S. Spender, “t...
This paper examines how Keatss odes written in 1819 take the form of a pastoral to explore the possi...
This item was digitized by the Internet Archive. Thesis (M.A.)--Boston UniversityKeats's letter to h...
My dissertation argues that Romantic writers conceived of reading as an embodied social practice, un...
This thesis presents a series of readings of poems by John Keats (1795-1821), and traces through his...
When Keats abruptly claimed, in one ofhis letters, that 'What the imagination seizes as Beauty must ...
Story-telling is a mode central to the practice and achievement of John Keats. In ‘Sleep and Poetry’...
"The Eve of St. Agnes" is one of Keats’s most challenging poems when it comes to the poet’s emotions...
This article aims to interpret dreams in John Keats’s narrative The Eve of St. Agnes from different ...
This paper explores John Keats\u27s 1820 poem The Eve of St. Agnes and the particular ways in which ...
Critics of Keats\u27s Isabella; or, The Pot of Basil (1818) traditionally focus on the poem\u27s tr...
This study argues that John Keats is a poet whose key consideration is empathy and who possesses the...
For I believe that The Eve of St. Agnes is, in its hybrid nature, the most epistolary poem of the Ro...
John Keats is a well-known Romantic poet of the 19th century who has become the most sensuous poet o...
Whenever anyone thinks about the poetry of John Keats, the word beauty instantly comes to mind. His ...
Keats is “the most honest, the least self-deceiving . . .of the Romantics,” says Mr. S. Spender, “t...
This paper examines how Keatss odes written in 1819 take the form of a pastoral to explore the possi...
This item was digitized by the Internet Archive. Thesis (M.A.)--Boston UniversityKeats's letter to h...
My dissertation argues that Romantic writers conceived of reading as an embodied social practice, un...
This thesis presents a series of readings of poems by John Keats (1795-1821), and traces through his...
When Keats abruptly claimed, in one ofhis letters, that 'What the imagination seizes as Beauty must ...
Story-telling is a mode central to the practice and achievement of John Keats. In ‘Sleep and Poetry’...