The Masham Column, dated to the early 9th century, is one of a group of monuments produced at a workshop active in the Anglo-Saxon Northumbrian sub-kingdom of Deira. Examination of the carved decoration of these monuments indicates that this centre had access to high quality sources not too far removed from ultimately early Christian origins, and that these models were adapted in keeping with liturgical and iconographic innovations current in the Carolingian world. Analysis of the Masham Column indicates further that those responsible for its design were seeking both to express the presence and status of the Church In the region, and to define its identity
Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our kno...
This thesis contributes to the debate on the nature of Anglo-Saxon minsters and regional variation i...
The aim of the disseration is to discuss forms of commemorative art. The main focus is given to the ...
Three fragments of stone sculpture — from Dewsbury and Otley in West Yorkshire, and Halton in Lancas...
For at least two hundred years, scholars have debated the architectural influences affecting Anglo-S...
This thesis is concerned with an analysis of church monuments in the south west peninsular counties ...
The extensive survival of late medieval bosses in the roofs of many parish churches in Devon has lon...
In almost every parish church in East Sussex there survive examples of commemorative art - ledger st...
One of a series of short articles contributed to the DVD-ROM learning resource 'The English Parish C...
This study contemplates the part played by style in the creation of Anglo-Saxon Northumbrian works o...
The quest for an appropriate past was of huge importance in late Tudor and Stuart England. Henry VII...
The primary objective of; this thesis is to catalogue the salient elements of the Anglo-Saxon parish...
PhD ThesisThe subject of this thesis is the non-crucifixion figural iconography of sculptures produ...
Photograph of a headless Anglo-Saxon cross in St. Peter's Collegiate Church churchyard, Wolverhampto...
Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the...
Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our kno...
This thesis contributes to the debate on the nature of Anglo-Saxon minsters and regional variation i...
The aim of the disseration is to discuss forms of commemorative art. The main focus is given to the ...
Three fragments of stone sculpture — from Dewsbury and Otley in West Yorkshire, and Halton in Lancas...
For at least two hundred years, scholars have debated the architectural influences affecting Anglo-S...
This thesis is concerned with an analysis of church monuments in the south west peninsular counties ...
The extensive survival of late medieval bosses in the roofs of many parish churches in Devon has lon...
In almost every parish church in East Sussex there survive examples of commemorative art - ledger st...
One of a series of short articles contributed to the DVD-ROM learning resource 'The English Parish C...
This study contemplates the part played by style in the creation of Anglo-Saxon Northumbrian works o...
The quest for an appropriate past was of huge importance in late Tudor and Stuart England. Henry VII...
The primary objective of; this thesis is to catalogue the salient elements of the Anglo-Saxon parish...
PhD ThesisThe subject of this thesis is the non-crucifixion figural iconography of sculptures produ...
Photograph of a headless Anglo-Saxon cross in St. Peter's Collegiate Church churchyard, Wolverhampto...
Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the...
Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our kno...
This thesis contributes to the debate on the nature of Anglo-Saxon minsters and regional variation i...
The aim of the disseration is to discuss forms of commemorative art. The main focus is given to the ...