As co-editor of Theatre Noise, I felt we couldn't produce a this volume without attention to the sound of performance by theatre makers who do not conform to normative concepts of hearing: deaf artists who make theatre, as a culturally defined group as well as with/for the 'hearing audience'. This, this chapter focuses on a form of applied theatre: disabled performance, and will review - or more aptly, rehear - both the art of creating and the act of audience to this form of theatre. The case study in this chapter is Graeae, the UK's foremost disabled theatre company. My focus is on its creative practice that includes sensory and physically disabled artists and in addition embraces integration with non-disabled performers and audiences. Thi...