The fourth issue of Continuum is not the publication we originally intended. Modern computer technology makes it possible to engage with desktop publishing and in fact opens up an enormous range of possibilities in publication. However, as we have discovered for desktop publishing to be successful it requires boundless enthusiasm, commitment, vast amounts of time and endless patience. When these requirements come into conflict with normal regimes - work, home, family - something has to give - usually the publishing. Consequently, Continuum is often late - and for this we apologise. Further, it is sometimes not possible to adhere to our original schedule of publications. A possible solution to these problems could be to hand over Continuum t...
No abstract availableThis editorial was originally published by Parallel Press, an imprint of the Un...
Screen industries around the globe are evolving. While technological change has been slower to take ...
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution...
Literary journals have always held a changing and uncertain place in Australian cultural life, and i...
The disruption and structural transformation underway in the global book industry is well known. Maj...
Ellison, ER ORCiD: 0000-0002-0865-950XThe global screen industries are rapidly changing. Digital dis...
In this article, we trace the emergence of film criticism in Australia, from the period of its first...
Australian films are regularly criticised for their failure to engage local audiences and for their ...
Towards the end of 1994 I finished my formal association with Continuum as it passed out of Tom O'Re...
Many ambitious predictions have been made about the impact of the internet, and the investment of me...
In this article, we trace the emergence of film criticism in Australia, from the period of its first...
Literary journals have always held a shifting and uncertain place in Australian cultural life, and i...
increasingly being influenced by appropriate research ‘outputs’, as determined by such things as the...
The Australian screen industry faces significant and systemic challenges looking forward. Globalisat...
This paper serves as an introduction and scene-setter to a series of four papers (including this) th...
No abstract availableThis editorial was originally published by Parallel Press, an imprint of the Un...
Screen industries around the globe are evolving. While technological change has been slower to take ...
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution...
Literary journals have always held a changing and uncertain place in Australian cultural life, and i...
The disruption and structural transformation underway in the global book industry is well known. Maj...
Ellison, ER ORCiD: 0000-0002-0865-950XThe global screen industries are rapidly changing. Digital dis...
In this article, we trace the emergence of film criticism in Australia, from the period of its first...
Australian films are regularly criticised for their failure to engage local audiences and for their ...
Towards the end of 1994 I finished my formal association with Continuum as it passed out of Tom O'Re...
Many ambitious predictions have been made about the impact of the internet, and the investment of me...
In this article, we trace the emergence of film criticism in Australia, from the period of its first...
Literary journals have always held a shifting and uncertain place in Australian cultural life, and i...
increasingly being influenced by appropriate research ‘outputs’, as determined by such things as the...
The Australian screen industry faces significant and systemic challenges looking forward. Globalisat...
This paper serves as an introduction and scene-setter to a series of four papers (including this) th...
No abstract availableThis editorial was originally published by Parallel Press, an imprint of the Un...
Screen industries around the globe are evolving. While technological change has been slower to take ...
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution...