‘What Keeps Mankind Alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics

Starting from the 2009 Istanbul Biennial, with its Brechtian curatorial theme, this essay considers the Left’s varying responses to art’s so-called ‘political turn’. Discussion ranges from the local and regional context of the Biennial’s function as part of Turkey’s bid to join the EU, through to a longer theoretical perspective on the critical debates over ‘art and life’, artistic autonomy and heteronomy, and the revival in avant-gardism. The authors propose that the standard accounts of the intimate connection between the commodity and art have become politically counterproductive. They suggest that Marxist analysis needs to develop a more complexly-articulated philosophical reflection on the relation between economy, politics, and art – and between political and aesthetic praxes – if it is to advance its longstanding contributions to considerations of ‘aesthetics and politics’