Add to ORKGVisual and written narratives about conflict and victimhood tend to generate a series of much-repeated tropes. In this article, LSE's Elizabeth Storer unveils a project which seeks to present a more accurate portrayal of displacement through the medium of photography
Extensive revising is required by many journals in the social sciences. It is expected that authors ...
This article is part of our #LSEReturn series, exploring themes around Displacement and Return. Thro...
This is the author accepted manuscript. The final version is available from Elsevier via the DOI in ...
This invited essay reflects upon the use of the photo essay within documentary photography. In parti...
This article reconsiders the carte de visite through an awareness of twenty-first century domestic d...
This article examines four case studies of how photographers have worked with survivors of rape as a...
In Expanded Visions: A New Anthropology of the Moving Image, Arnd Schneider explores the generative ...
Forgetting photography attempts to develop a systematic method for revealing the limits and prescrip...
This article considers the mediating role of digital photography for eliciting embodied and dialogic...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
Datasets, that is, digital collections of related information, and data visualizations are really cr...
In this rare anthropological study based on extensive fieldwork in Balochistan, Ugo Fabietti explore...
The telling and sharing of stories is synonymous with what it is to be human. The narrative threads ...
In my following lecture I will focus on a group of films that have rarely been examined under a tran...
The articles in this special issue highlight the relationality existing between researchers, partici...
Extensive revising is required by many journals in the social sciences. It is expected that authors ...
This article is part of our #LSEReturn series, exploring themes around Displacement and Return. Thro...
This is the author accepted manuscript. The final version is available from Elsevier via the DOI in ...
This invited essay reflects upon the use of the photo essay within documentary photography. In parti...
This article reconsiders the carte de visite through an awareness of twenty-first century domestic d...
This article examines four case studies of how photographers have worked with survivors of rape as a...
In Expanded Visions: A New Anthropology of the Moving Image, Arnd Schneider explores the generative ...
Forgetting photography attempts to develop a systematic method for revealing the limits and prescrip...
This article considers the mediating role of digital photography for eliciting embodied and dialogic...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
Datasets, that is, digital collections of related information, and data visualizations are really cr...
In this rare anthropological study based on extensive fieldwork in Balochistan, Ugo Fabietti explore...
The telling and sharing of stories is synonymous with what it is to be human. The narrative threads ...
In my following lecture I will focus on a group of films that have rarely been examined under a tran...
The articles in this special issue highlight the relationality existing between researchers, partici...
Extensive revising is required by many journals in the social sciences. It is expected that authors ...
This article is part of our #LSEReturn series, exploring themes around Displacement and Return. Thro...
This is the author accepted manuscript. The final version is available from Elsevier via the DOI in ...