Add to ORKGPlayfully based on the antithesis of George Orwell’s ‘Room 101’, Room 2084 considers the archives of the past, present and potential futures. Alumni, staff and students will present objects from their own archives to a jury with the aim of being included in a design archive of the future. Throughout the duration of the exhibition, a living archive will be created, allowing for debates around how and why the past and the present are preserved for future generations
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
This contribution deals with methods for documenting, archiving, visualizing and enhancing the cult...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...
In September 2017 Room 2084 was installed at London College of Communication (LCC) to display a sele...
Taking our cue from the impact of Joseph Kosuth’s 1965 conceptual artwork One and Three Chairs, ther...
Zoë Mendelson presented a meta-fictive lecture, ‘Which Shelf for the Broken One: What the hoard can ...
Developed with support by the Centre for Design History at the University of Brighton, this website ...
Text commissioned by Skol for the group exhibition Sortons les archives / Embracing the Archive
The fossilization of the DAAP Library slide collection paired with new knowledge of the fact that th...
With the passage of time, can archive materials, such as sketches and letters, make unrealised proje...
A peer reviewed exhibition whereby artists were selected in response to their ability to illustrate ...
Architectural submission to international competition Helsinki Finland. the Conceptual approach w...
The Archive is an installation that considers the human brain’s potential to distort memory over tim...
Curatorial note from Digital Pedagogy in the Humanities: Will the future care, or not, about the thi...
OCTloft Shenzhen Creative Festival is a key annual cultural festival in China that aims to show inno...
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
This contribution deals with methods for documenting, archiving, visualizing and enhancing the cult...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...
In September 2017 Room 2084 was installed at London College of Communication (LCC) to display a sele...
Taking our cue from the impact of Joseph Kosuth’s 1965 conceptual artwork One and Three Chairs, ther...
Zoë Mendelson presented a meta-fictive lecture, ‘Which Shelf for the Broken One: What the hoard can ...
Developed with support by the Centre for Design History at the University of Brighton, this website ...
Text commissioned by Skol for the group exhibition Sortons les archives / Embracing the Archive
The fossilization of the DAAP Library slide collection paired with new knowledge of the fact that th...
With the passage of time, can archive materials, such as sketches and letters, make unrealised proje...
A peer reviewed exhibition whereby artists were selected in response to their ability to illustrate ...
Architectural submission to international competition Helsinki Finland. the Conceptual approach w...
The Archive is an installation that considers the human brain’s potential to distort memory over tim...
Curatorial note from Digital Pedagogy in the Humanities: Will the future care, or not, about the thi...
OCTloft Shenzhen Creative Festival is a key annual cultural festival in China that aims to show inno...
The paper reflects why past exhibitions should be documented virtually. It states that exhibitions a...
This contribution deals with methods for documenting, archiving, visualizing and enhancing the cult...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...