Add to ORKGThis article examines the media response to an article in the Bulletin magazine by playwright David Williamson. In late 2005, Williamson published a broadside at contemporary Australian values and social directions, and found himself vilified in the mainstream media
A shibboleth has grown up around the work of Edward Bond. The tag ‘controversial dramatist’ has cont...
The article centres upon one of Harold Pinter’s last plays, Celebration, first performed at the Alme...
Let’s look at the Australian people as they really are, says David Burchell SINCE 1996, and e...
So opined English-born Clive Barnes in January 1974, reviewing an Off-Broadway production of Dav...
This thesis focuses on the fact that although David Williamson’s popular appeal is attested to by hi...
The article surveys criticism of Australian literature in the period, noting the divisions between '...
This article examines the fashioning of the authorial persona of British playwright, screenwriter, a...
This article offers a fresh analysis of Sydney-based version 1.0’s theatre production CMI (A Certain...
This article rereads Patrick White's Riders in the Chariot against some of the past criticism of the...
This article analyses the recent phenomenon of very high profile international creative authors such...
The essay I want to discuss here was published in the ‘pre-global’ era. I find it telling that Meagh...
This article discusses emotion as a strategy of political agency in post-Thatcherite documentary the...
Using the relationship between history and fiction as a starting point, the essay first looks at con...
On Sunday 6 April 1997, historian Mark Baker\u27s first non-academic book was launched at Melbourne\...
This collection of 10 essays documents the role of the media at a time when John Howard has produced...
A shibboleth has grown up around the work of Edward Bond. The tag ‘controversial dramatist’ has cont...
The article centres upon one of Harold Pinter’s last plays, Celebration, first performed at the Alme...
Let’s look at the Australian people as they really are, says David Burchell SINCE 1996, and e...
So opined English-born Clive Barnes in January 1974, reviewing an Off-Broadway production of Dav...
This thesis focuses on the fact that although David Williamson’s popular appeal is attested to by hi...
The article surveys criticism of Australian literature in the period, noting the divisions between '...
This article examines the fashioning of the authorial persona of British playwright, screenwriter, a...
This article offers a fresh analysis of Sydney-based version 1.0’s theatre production CMI (A Certain...
This article rereads Patrick White's Riders in the Chariot against some of the past criticism of the...
This article analyses the recent phenomenon of very high profile international creative authors such...
The essay I want to discuss here was published in the ‘pre-global’ era. I find it telling that Meagh...
This article discusses emotion as a strategy of political agency in post-Thatcherite documentary the...
Using the relationship between history and fiction as a starting point, the essay first looks at con...
On Sunday 6 April 1997, historian Mark Baker\u27s first non-academic book was launched at Melbourne\...
This collection of 10 essays documents the role of the media at a time when John Howard has produced...
A shibboleth has grown up around the work of Edward Bond. The tag ‘controversial dramatist’ has cont...
The article centres upon one of Harold Pinter’s last plays, Celebration, first performed at the Alme...
Let’s look at the Australian people as they really are, says David Burchell SINCE 1996, and e...