In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important fun...
UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall c...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
The twenty-first century has witnessed a reinvigorated championing of auteurism in European cinema, ...
In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to ...
The film industries in Europe have undergone a series of fundamental structural and strategic change...
The film industries in Europe have undergone a series of fundamental structural and strategic change...
This article discusses critical parameters and historical perceptions that have dominated the academ...
European Cinemas in the Television Age is a radical attempt to rethink the post-war history of Europ...
What is European cinema? First: European cinema does not exist, except as a bureaucratic dream or a ...
As a critical category, “European cinema” is anything but a recent invention; film history books, in...
In recent years, there has been an upsurge of pan-European institutions, both from within the Europe...
This book articulates a way of rethinking the study of European cinema that centres on students and ...
Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the na...
A particular focus in this paper is the delicate issue of possible over-production of European films...
European cinema was and still is often assimilated by film consumers as art cinema which is more dif...
UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall c...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
The twenty-first century has witnessed a reinvigorated championing of auteurism in European cinema, ...
In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to ...
The film industries in Europe have undergone a series of fundamental structural and strategic change...
The film industries in Europe have undergone a series of fundamental structural and strategic change...
This article discusses critical parameters and historical perceptions that have dominated the academ...
European Cinemas in the Television Age is a radical attempt to rethink the post-war history of Europ...
What is European cinema? First: European cinema does not exist, except as a bureaucratic dream or a ...
As a critical category, “European cinema” is anything but a recent invention; film history books, in...
In recent years, there has been an upsurge of pan-European institutions, both from within the Europe...
This book articulates a way of rethinking the study of European cinema that centres on students and ...
Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the na...
A particular focus in this paper is the delicate issue of possible over-production of European films...
European cinema was and still is often assimilated by film consumers as art cinema which is more dif...
UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall c...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
The twenty-first century has witnessed a reinvigorated championing of auteurism in European cinema, ...