In the formal settings of universities, all academics regulate themselves constantly, including how and when they laugh. This paper considers the matter of pleasure and women's scholastic and pedagogical work, and how it has come to be understood. The paper explores the idea that pleasure is taken "within reason, " drawing on Michel Foucault's (1985) work to examine the relationship between feelings such as pleasure and modes of rationality. It then moves to situate pleasure within a western historical tradition, noting how pleasure-as-fun has been framed outside bourgeois traditions of conduct, including subversive traditions. Carnival is examined more precisely as a site of fun whose remembering could be productive for...
What is fun? How is it distinct from happiness or pleasure? How do we know when we are having it? Th...
This article offers a novel approach to conceptualising ballet practice as a leisurely activity that...
In this article we address the question ‘what are we to do with ourselves?’ by arguing for the recla...
Abstract ii Women’s studies struggle for a location in the academy has always involved feelings of d...
Women’s studies struggle for a location in the academy has always involved feelings of deep ambiguit...
This paper provides a comparative account of two conceptualisations of pleasure. The first draws on ...
The idea that pleasure might form a part of sexuality education is no longer a 'new' idea in the fie...
The focus of this chapter is on stories of prison and punishment as told in the visual arts. This ch...
In this article I review what kinds of emotions might be felt by women who are teaching managers. I ...
Using Bakhtin, Judith Butler, Mary Russo, Stallybrass and White, and others, in combination with var...
Academics working in contemporary universities are experiencing unprecedented and unsustainable pres...
As an alternative starting point for delving into an effective approach to Visual Culture Art Educat...
This article explores the possibility of developing a feminist approach to gendered and sexual embod...
In this article we address the question ‘what are we to do with ourselves?’ by arguing for the recla...
Angela Carter’s provocations to laughter and her enchantment with ludic narrative strategies are two...
What is fun? How is it distinct from happiness or pleasure? How do we know when we are having it? Th...
This article offers a novel approach to conceptualising ballet practice as a leisurely activity that...
In this article we address the question ‘what are we to do with ourselves?’ by arguing for the recla...
Abstract ii Women’s studies struggle for a location in the academy has always involved feelings of d...
Women’s studies struggle for a location in the academy has always involved feelings of deep ambiguit...
This paper provides a comparative account of two conceptualisations of pleasure. The first draws on ...
The idea that pleasure might form a part of sexuality education is no longer a 'new' idea in the fie...
The focus of this chapter is on stories of prison and punishment as told in the visual arts. This ch...
In this article I review what kinds of emotions might be felt by women who are teaching managers. I ...
Using Bakhtin, Judith Butler, Mary Russo, Stallybrass and White, and others, in combination with var...
Academics working in contemporary universities are experiencing unprecedented and unsustainable pres...
As an alternative starting point for delving into an effective approach to Visual Culture Art Educat...
This article explores the possibility of developing a feminist approach to gendered and sexual embod...
In this article we address the question ‘what are we to do with ourselves?’ by arguing for the recla...
Angela Carter’s provocations to laughter and her enchantment with ludic narrative strategies are two...
What is fun? How is it distinct from happiness or pleasure? How do we know when we are having it? Th...
This article offers a novel approach to conceptualising ballet practice as a leisurely activity that...
In this article we address the question ‘what are we to do with ourselves?’ by arguing for the recla...