In this submission, we provide evidence for our view that copyright policy in the UK must encourage new digital business models which meet the changing needs of consumers and foster innovation in the UK both within, and beyond, the creative industries. We illustrate our arguments using evidence from the music industry. However, we believe that our key points on the relationship between the copyright system and innovative digital business models apply across the UK creative industries
Original article can be found at: http://www.informaworld.com/smpp/title~content=t713427052~db=all C...
The DEA gets the balance between copyright enforcement and innovation wrong. The use of peer-to-peer...
After the First Industrial Revolution, a series of technologies challenged copyright law and pushed ...
Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate i...
Purpose: This paper highlights the challenges and key arguments for digital copyright protection leg...
A defining characteristic of contemporary copyright law is the willingness of governments to accept ...
This thesis argues that copyright law, in both the United Kingdom and the United States, has become ...
Digital technologies are often said (1) to enable a qualitatively new engagement with already exist...
This thesis seeks to address and clarify the changing interface between copyright law and other for...
Copyright @ 2012 Queen's University of BelfastThis article shows the phases – and discusses the resu...
This research examines the business model response to the change from analogue to digital in the cre...
Advances in the technology available to consumers have fundamentally altered the relationship betwee...
This chapter considers issues relating to copyright in a digital context in the United Kingdom, with...
Advances in the technology available to consumers have fundamentally altered the relationship betwee...
This submission briefly reviews the dearth of empirical evidence that copyright policy is either ef...
Original article can be found at: http://www.informaworld.com/smpp/title~content=t713427052~db=all C...
The DEA gets the balance between copyright enforcement and innovation wrong. The use of peer-to-peer...
After the First Industrial Revolution, a series of technologies challenged copyright law and pushed ...
Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate i...
Purpose: This paper highlights the challenges and key arguments for digital copyright protection leg...
A defining characteristic of contemporary copyright law is the willingness of governments to accept ...
This thesis argues that copyright law, in both the United Kingdom and the United States, has become ...
Digital technologies are often said (1) to enable a qualitatively new engagement with already exist...
This thesis seeks to address and clarify the changing interface between copyright law and other for...
Copyright @ 2012 Queen's University of BelfastThis article shows the phases – and discusses the resu...
This research examines the business model response to the change from analogue to digital in the cre...
Advances in the technology available to consumers have fundamentally altered the relationship betwee...
This chapter considers issues relating to copyright in a digital context in the United Kingdom, with...
Advances in the technology available to consumers have fundamentally altered the relationship betwee...
This submission briefly reviews the dearth of empirical evidence that copyright policy is either ef...
Original article can be found at: http://www.informaworld.com/smpp/title~content=t713427052~db=all C...
The DEA gets the balance between copyright enforcement and innovation wrong. The use of peer-to-peer...
After the First Industrial Revolution, a series of technologies challenged copyright law and pushed ...