'The Landing was an exhibition of paintings held at Gallery Barry Keldoulis in Sydney in 2008. The exhibition comprised 7 paintings and a 3-channel video work. The show built upon the artist's interest in drawing parallels between, while simultaneously disrupting the hermetic integrity of both the painted and virtual surface. In this exhibition this was drawn out by the intentionally scratchy and blanched qualities of the painted surface contrasted against the careful delineations and gradation of their subject matter which was drawn exclusively from virtual 3D animated spaces. Conversely, the video work collapsed a series of picture-perfect objects into a dense and incoherent whole. These tensions and slippages act as manifestations of the...
This solo exhibition gave me the opportunity to show very large paintings combined with very small o...
In his book Virtual Art: From Illusion to Immersion, Oliver Grau presents the panorama as a forerunn...
Art finds itself infinitely connected to technology, or on an even deeper level, humanity itself is ...
A series of large-scale computer-generated photographic images, stereoscopic works and animations we...
Gallery text/reflection for Richard Ducker and Gibson/Martelli's show 'Islands' at Coleman Project S...
An exhibition of drawing, paintings and video works exploring the relationship of painterly material...
The aim of this project was to paint the complexities of ‘felt’ moments of experiencing place on Bru...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. ...
Taking an interdisciplinary approach, this volume brings together contributions by distinguished exp...
© 2001 Anthony GardnerThis thesis critically examines ‘the virtual’ and ‘virtualisation’, as it was ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
‘Off The Walls’ is a VR-exhibition, curated by Rita Macarounas an Lukas Bendel at the Northern Centr...
An exhibition of drawing, paintings and video works exploring the relationship of painterly material...
‘Beyond the Endgame’ was an exhibition curated by Ben Cook and Natasha Howes to showcase North West ...
‘Beyond the Endgame’ was an exhibition curated by Ben Cook to showcase North West of England artists...
This solo exhibition gave me the opportunity to show very large paintings combined with very small o...
In his book Virtual Art: From Illusion to Immersion, Oliver Grau presents the panorama as a forerunn...
Art finds itself infinitely connected to technology, or on an even deeper level, humanity itself is ...
A series of large-scale computer-generated photographic images, stereoscopic works and animations we...
Gallery text/reflection for Richard Ducker and Gibson/Martelli's show 'Islands' at Coleman Project S...
An exhibition of drawing, paintings and video works exploring the relationship of painterly material...
The aim of this project was to paint the complexities of ‘felt’ moments of experiencing place on Bru...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. ...
Taking an interdisciplinary approach, this volume brings together contributions by distinguished exp...
© 2001 Anthony GardnerThis thesis critically examines ‘the virtual’ and ‘virtualisation’, as it was ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
‘Off The Walls’ is a VR-exhibition, curated by Rita Macarounas an Lukas Bendel at the Northern Centr...
An exhibition of drawing, paintings and video works exploring the relationship of painterly material...
‘Beyond the Endgame’ was an exhibition curated by Ben Cook and Natasha Howes to showcase North West ...
‘Beyond the Endgame’ was an exhibition curated by Ben Cook to showcase North West of England artists...
This solo exhibition gave me the opportunity to show very large paintings combined with very small o...
In his book Virtual Art: From Illusion to Immersion, Oliver Grau presents the panorama as a forerunn...
Art finds itself infinitely connected to technology, or on an even deeper level, humanity itself is ...