Estimating the pitch of musical signals is complicated by the pres-ence of partials in addition to the fundamental frequency. In this paper, we propose developments to an earlier Bayesian model which describes each component signal in terms of fundamental frequency, partials (‘harmonics’), and amplitude. This basic model is modi-fied for greater realism to include non-white residual spectrum, time-varying amplitudes and partials ‘detuned ’ from the natural linear relationship. The unknown parameters of the new model are simulated using a reversible jump MCMC algorithm, leading to a highly accurate pitch estimator. The models and algorithms can be applied for feature extraction, polyphonic music transcription, source separation and restorati...
International audiencePolyphonic pitch estimation and musical instrument identification are some of ...
In this paper, we use unconstrained frequency estimates (UFEs) from a noisy harmonic signal and prop...
Pitch estimation of polyphonic music signals is the ability to identify the fundamental frequencies ...
In this paper we describe recent advances in harmonic models for musical signal analysis. In particu...
This paper deals with the computational analysis of musical audio from recorded audio waveforms. Thi...
This thesis presents several hierarchical generative Bayesian models of musical signals designed to ...
This thesis presents techniques for the modelling of musical signals, with particular regard to mono...
This paper proposes a Bayesian method for polyphonic music description. The method first divides an ...
We present a novel approach to pitch estimation and note detection in polyphonic audio signals. We p...
In this paper models and algorithms are presented for transcription of pitch and timings in polyphon...
Novel statistical models are proposed and developed in this paper for automated multiple-pitch estim...
We propose a Bayesian monaural source separation system to extract each individual tone from mixture...
International audienceHarmonic sinusoidal models are an essential tool for music audio signal analys...
International audienceSymbolic pitch modelling is a way of incorporating knowledge about relations b...
International audiencePolyphonic pitch estimation and musical instrument identification are some of ...
In this paper, we use unconstrained frequency estimates (UFEs) from a noisy harmonic signal and prop...
Pitch estimation of polyphonic music signals is the ability to identify the fundamental frequencies ...
In this paper we describe recent advances in harmonic models for musical signal analysis. In particu...
This paper deals with the computational analysis of musical audio from recorded audio waveforms. Thi...
This thesis presents several hierarchical generative Bayesian models of musical signals designed to ...
This thesis presents techniques for the modelling of musical signals, with particular regard to mono...
This paper proposes a Bayesian method for polyphonic music description. The method first divides an ...
We present a novel approach to pitch estimation and note detection in polyphonic audio signals. We p...
In this paper models and algorithms are presented for transcription of pitch and timings in polyphon...
Novel statistical models are proposed and developed in this paper for automated multiple-pitch estim...
We propose a Bayesian monaural source separation system to extract each individual tone from mixture...
International audienceHarmonic sinusoidal models are an essential tool for music audio signal analys...
International audienceSymbolic pitch modelling is a way of incorporating knowledge about relations b...
International audiencePolyphonic pitch estimation and musical instrument identification are some of ...
In this paper, we use unconstrained frequency estimates (UFEs) from a noisy harmonic signal and prop...
Pitch estimation of polyphonic music signals is the ability to identify the fundamental frequencies ...