Two experiments were conducted to investigate the geometrical structures of photographic and stereoscopic spaces. In Experiment 1, it was investigated how accurately photographic space reproduces real physical space, and the geometrical structure of photographic space was compared with that of visual space. As a result, the mapping function of distance between photographic and physical spaces (δ = adb) shows that a and b range from 0.96–1.1 and 0.69–0.78. The mapping function of angle between photographic and physical spaces (Φ = gφh) shows that g and h range from 2.37–5.29 and 0.74–0.97. Further, photographic space has larger anisotropic property than visual space and photographic space may be hyperbolic. In Experiment 2, the geometrical s...
The topic visual space perception is widely investigated for a long time. During the history, it was...
We examine the relationship between the different geometries implicit in a stereoscopic virtual envi...
In the physical environment familiar size is an effective depth cue because the distance from the ey...
Two experiments were conducted to investigate the geometrical structures of photographic and stereos...
In the article, the authors summarize the main results of their research activity in the field of vi...
Perspective space has been introduced as a computational model of visual space. The model is based o...
We propose a novel method to probe the depth structure of the pictorial space evoked by paintings. T...
Luneburg’s model has been the reference for experimental studies of visual space for almost seventy ...
This chapter considers the geometric structure of visual space and the way it has been artistically ...
Luneburg’s model has been the reference for experimental studies of visual space for almost seventy ...
The “visual space” of an optical observer situated at a single, fixed viewpoint is necessarily very ...
A "picture" is a at object covered with pigments in a certain pattern. Human observers, when looking...
A picture is a powerful and convenient medium for inducing the illusion that one perceives a three-d...
A picture is a powerful and convenient medium for inducing the illusion that one perceives a three-d...
It has long been known that the visually perceived positions of objects, in short visual space, are ...
The topic visual space perception is widely investigated for a long time. During the history, it was...
We examine the relationship between the different geometries implicit in a stereoscopic virtual envi...
In the physical environment familiar size is an effective depth cue because the distance from the ey...
Two experiments were conducted to investigate the geometrical structures of photographic and stereos...
In the article, the authors summarize the main results of their research activity in the field of vi...
Perspective space has been introduced as a computational model of visual space. The model is based o...
We propose a novel method to probe the depth structure of the pictorial space evoked by paintings. T...
Luneburg’s model has been the reference for experimental studies of visual space for almost seventy ...
This chapter considers the geometric structure of visual space and the way it has been artistically ...
Luneburg’s model has been the reference for experimental studies of visual space for almost seventy ...
The “visual space” of an optical observer situated at a single, fixed viewpoint is necessarily very ...
A "picture" is a at object covered with pigments in a certain pattern. Human observers, when looking...
A picture is a powerful and convenient medium for inducing the illusion that one perceives a three-d...
A picture is a powerful and convenient medium for inducing the illusion that one perceives a three-d...
It has long been known that the visually perceived positions of objects, in short visual space, are ...
The topic visual space perception is widely investigated for a long time. During the history, it was...
We examine the relationship between the different geometries implicit in a stereoscopic virtual envi...
In the physical environment familiar size is an effective depth cue because the distance from the ey...