Edgar Allan Poe made tremendous contribution to horror fiction. Poe’s inheritance of gothic fiction and American literature tradition combined with his living experience forms the background of his horror fictions. He inherited the tradition of the gothic fictions and made innovations on it, so as to penetrate to Sub consciousness. Poe’s horror fictions became the origin of Southern fictions, to a certain degree. In his works, he revealed people’s horror towards super nature, nothingness, death, evil and disintegration of personality. He tried to demonstrate that horror originates from our soul. By means of symbol, suspense, first person narrator, exaggeration of atmosphere and anti-closure, Poe tried his best to construct an intact uniform...
Poe’s stories “Ligeia” and “The Fall of the House of Usher” exemplify the most important features of...
Abstract Edgar Allan Poe’s tales represent one of the most finely-wrought conjurings up of trauma-ge...
When David Punter said that “all writing is ‘haunted’ by the shapes of all that is not” (1998:2), he...
grantor: University of TorontoWilliam Hazlitt noted in 1829 that the works of Charles Broc...
In the 18th century appeared an artistic movement that tried to revive the medieval Gothic architect...
The first time I came in contact with the works of Edgar Allan Poe must have been around 10 years ...
Edgar Allan Poe is one of the most unique writers in America. He stands alone with his aesthetic tas...
Edgar Allan Poe is the originator of the modern detective fictions. His detective fictions, only fiv...
Poe’s “grave-nourished fantasy” is incorporated with “the energy of hope” for an encounter with the ...
fiction are his imaginative speculations concerning the metaphysical experiences of the soul, the in...
There are many great names in gothic literature and this essay will deal with two of them: Edgar A...
Edgar Allan Poe, one of the most powerful names in American and Anglo-Saxon literature, was a writer...
80 Abstract in English The aim of this thesis is the exploration of horror from a wider perspective ...
The abyss image appears throughout the works of Edgar Allan Poe. The image takes various forms, for ...
Bailes ir viena no spēcīgākajām cilvēka emocijām, tādēļ tās tiek aplūkotas daudzos literatūras veido...
Poe’s stories “Ligeia” and “The Fall of the House of Usher” exemplify the most important features of...
Abstract Edgar Allan Poe’s tales represent one of the most finely-wrought conjurings up of trauma-ge...
When David Punter said that “all writing is ‘haunted’ by the shapes of all that is not” (1998:2), he...
grantor: University of TorontoWilliam Hazlitt noted in 1829 that the works of Charles Broc...
In the 18th century appeared an artistic movement that tried to revive the medieval Gothic architect...
The first time I came in contact with the works of Edgar Allan Poe must have been around 10 years ...
Edgar Allan Poe is one of the most unique writers in America. He stands alone with his aesthetic tas...
Edgar Allan Poe is the originator of the modern detective fictions. His detective fictions, only fiv...
Poe’s “grave-nourished fantasy” is incorporated with “the energy of hope” for an encounter with the ...
fiction are his imaginative speculations concerning the metaphysical experiences of the soul, the in...
There are many great names in gothic literature and this essay will deal with two of them: Edgar A...
Edgar Allan Poe, one of the most powerful names in American and Anglo-Saxon literature, was a writer...
80 Abstract in English The aim of this thesis is the exploration of horror from a wider perspective ...
The abyss image appears throughout the works of Edgar Allan Poe. The image takes various forms, for ...
Bailes ir viena no spēcīgākajām cilvēka emocijām, tādēļ tās tiek aplūkotas daudzos literatūras veido...
Poe’s stories “Ligeia” and “The Fall of the House of Usher” exemplify the most important features of...
Abstract Edgar Allan Poe’s tales represent one of the most finely-wrought conjurings up of trauma-ge...
When David Punter said that “all writing is ‘haunted’ by the shapes of all that is not” (1998:2), he...