Symphonic Orchestra Performance SWEDISH NATIONAL ORCHESTRA ACADEMY Autumn Semester 2011

Vem bestämmer musiken? : En undersökning av en symfoniorkesters säsongsprogramsarbete

Johansson, Ida

January 2009

ABSTRACT There is a limited possibility for many of the concert-goers to go behind the stage and ...

Academic musicians. How music performance students in Sweden re-/negotiate notions of knowledge and competence

Moberg, Nadia

January 2019

ABSTRACT - As a result of reforms across higher education in Sweden, music performance programs hav...

CONTEMPORARY SWEDISH MUSIC FOR SOLO TRUMPET AND TRUMPET IN MIXED CHAMBER ENSEMBLES WITH A PERFORMANCE ANALYSIS

Of Selected
Works Of
Bo Nilsson
Folke Rabe
Tommy Zwedberg
Larry M. Engstrom
Of Selected
Works Of
Bo Nilsson
Folke Rabe
Tommy Zwedberg
Larry M. Engstrom

January 1991

titles. This study discusses how cultural and social aspects of contemporary Swedish society impact ...

Conflicts in contemporary music interpretation. Brunner-Lachenmann: a case approach

Galindo Agúndez, Antonio

March 2012

Classical musicians have made a habit of reproducing again and again works written between two hundr...

Schubert arrangements och vägen dit. Inblick i en kollaborativ studie av Mats Bergströms konstnärliga överväganden under bearbetning och instudering av Franz Schuberts Sonat i a-moll, D 821, den så kallade Arpeggionesonaten

Hultberg, Cecilia K.

January 2012

This collaborative study explores, retrospectively, musical knowledge development in a professional ...

Lachenmann’s Serynade—Issues for Performer and Listener

Pace, I.

January 2005

In this article, I explore Lachenmann's largest piano work, his Serynade, and investigate its intric...

Towards an exploration of Adornian aesthetics, social engagement, heritage of the past and development of the new in the music of Helmut Lachenmann

Van Eecke, Livine

February 2015

Contemporary work comments show that many contemporary composers feel a need to legitimize their wor...

Performance practice techniques and conflicts between interpretations of the violin sonata in G minor by Johann Sebastian Bach

Gyulnazarova, Tamara

January 2014

Includes bibliographical references (page 23)For many decades, discrepancies among performers and th...

Academic musicians : How music performance students in Sweden re-/negotiate notions of knowledge and competence

Moberg, Nadia

January 2019

As a result of reforms across higher education in Sweden, music performance programs have been subje...

Orchestral conducting since 1950: a comparative analysis of conducting manuals, practitoners' testimonies and two orchestral performances

Baltuch, David S.

October 2014

This dissertation studies the phenomenon of orchestral conducting as it unfolds since 1950 in what m...

Helmut Lachenmann: Kurzportrait mit Selbstportrait

Gadenstätter, Clemens

July 2023

Characteristics of Helmut Lachenmann’s music are approached through the author’s own music and music...

Instrument and Implement Selection and Setup, Performance Strategies, Structure, and Interpretation in Helmut Lachenmann's Intï¿½rieur I

Smith, Gary

January 2016

Helmut Lachenmann is the source of much discussion, particularly concerning aesthetics and dialectic...

A Discussion of Performance Practice Issues in Steven Stucky's Fanfares and Arias

Sakomoto, Leo Genki

January 2012

Steven Stucky is a Pulitzer Prize-winning contemporary composer. His prolific catalogue of composit...

An Analysis and Orchestral Reduction of Psaume 130 (Du fond de l’Abime), by Lili Boulanger

Perkins, John Douglas
Perkins, John Douglas

January 2009

Psaume 130, Du fond de l'Abime, by Lili Boulanger, poses a series of problems for conductors. Its la...

Orchestration in the 21st century: portfolio of compositions and exegesis

Stanhope, David Richard

January 2016

This submission for the degree of Master of Philosophy at the Elder Conservatorium of Music, Univers...

Vem bestämmer musiken? : En undersökning av en symfoniorkesters säsongsprogramsarbete

Johansson, Ida

January 2009

ABSTRACT There is a limited possibility for many of the concert-goers to go behind the stage and ...

Academic musicians. How music performance students in Sweden re-/negotiate notions of knowledge and competence

Moberg, Nadia

January 2019

ABSTRACT - As a result of reforms across higher education in Sweden, music performance programs hav...

CONTEMPORARY SWEDISH MUSIC FOR SOLO TRUMPET AND TRUMPET IN MIXED CHAMBER ENSEMBLES WITH A PERFORMANCE ANALYSIS

Of Selected
Works Of
Bo Nilsson
Folke Rabe
Tommy Zwedberg
Larry M. Engstrom
Of Selected
Works Of
Bo Nilsson
Folke Rabe
Tommy Zwedberg
Larry M. Engstrom

January 1991

titles. This study discusses how cultural and social aspects of contemporary Swedish society impact ...

Conflicts in contemporary music interpretation. Brunner-Lachenmann: a case approach

Galindo Agúndez, Antonio

March 2012

Classical musicians have made a habit of reproducing again and again works written between two hundr...

Schubert arrangements och vägen dit. Inblick i en kollaborativ studie av Mats Bergströms konstnärliga överväganden under bearbetning och instudering av Franz Schuberts Sonat i a-moll, D 821, den så kallade Arpeggionesonaten

Hultberg, Cecilia K.

January 2012

This collaborative study explores, retrospectively, musical knowledge development in a professional ...

Lachenmann’s Serynade—Issues for Performer and Listener

Pace, I.

January 2005

In this article, I explore Lachenmann's largest piano work, his Serynade, and investigate its intric...

Towards an exploration of Adornian aesthetics, social engagement, heritage of the past and development of the new in the music of Helmut Lachenmann

Van Eecke, Livine

February 2015

Contemporary work comments show that many contemporary composers feel a need to legitimize their wor...

Performance practice techniques and conflicts between interpretations of the violin sonata in G minor by Johann Sebastian Bach

Gyulnazarova, Tamara

January 2014

Includes bibliographical references (page 23)For many decades, discrepancies among performers and th...

Academic musicians : How music performance students in Sweden re-/negotiate notions of knowledge and competence

Moberg, Nadia

January 2019

As a result of reforms across higher education in Sweden, music performance programs have been subje...

Orchestral conducting since 1950: a comparative analysis of conducting manuals, practitoners' testimonies and two orchestral performances

Baltuch, David S.

October 2014

This dissertation studies the phenomenon of orchestral conducting as it unfolds since 1950 in what m...

Helmut Lachenmann: Kurzportrait mit Selbstportrait

Gadenstätter, Clemens

July 2023

Characteristics of Helmut Lachenmann’s music are approached through the author’s own music and music...

Instrument and Implement Selection and Setup, Performance Strategies, Structure, and Interpretation in Helmut Lachenmann's Intï¿½rieur I

Smith, Gary

January 2016

Helmut Lachenmann is the source of much discussion, particularly concerning aesthetics and dialectic...

A Discussion of Performance Practice Issues in Steven Stucky's Fanfares and Arias

Sakomoto, Leo Genki

January 2012

Steven Stucky is a Pulitzer Prize-winning contemporary composer. His prolific catalogue of composit...

An Analysis and Orchestral Reduction of Psaume 130 (Du fond de l’Abime), by Lili Boulanger

Perkins, John Douglas
Perkins, John Douglas

January 2009

Psaume 130, Du fond de l'Abime, by Lili Boulanger, poses a series of problems for conductors. Its la...

Orchestration in the 21st century: portfolio of compositions and exegesis

Stanhope, David Richard

January 2016

This submission for the degree of Master of Philosophy at the Elder Conservatorium of Music, Univers...

Vem bestämmer musiken? : En undersökning av en symfoniorkesters säsongsprogramsarbete

Johansson, Ida

January 2009

ABSTRACT There is a limited possibility for many of the concert-goers to go behind the stage and ...

Academic musicians. How music performance students in Sweden re-/negotiate notions of knowledge and competence

Moberg, Nadia

January 2019

ABSTRACT - As a result of reforms across higher education in Sweden, music performance programs hav...

CONTEMPORARY SWEDISH MUSIC FOR SOLO TRUMPET AND TRUMPET IN MIXED CHAMBER ENSEMBLES WITH A PERFORMANCE ANALYSIS

Of Selected
Works Of
Bo Nilsson
Folke Rabe
Tommy Zwedberg
Larry M. Engstrom
Of Selected
Works Of
Bo Nilsson
Folke Rabe
Tommy Zwedberg
Larry M. Engstrom

January 1991

titles. This study discusses how cultural and social aspects of contemporary Swedish society impact ...

Symphonic Orchestra Performance SWEDISH NATIONAL ORCHESTRA ACADEMY Autumn Semester 2011

Abstract

Extracted data

Symphonic Orchestra Performance SWEDISH NATIONAL ORCHESTRA ACADEMY Autumn Semester 2011

Abstract

Extracted data

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