Add to ORKGThe two Australian films 'The Tracker' (Rolf de Heer 2002) and 'The Proposition' (John Hillcoat 2005) are discussed as examples of the Western genre. The conclusion is drawn that the Australian version of this Hollywood standard is, due to the involvement of the Aboriginal, frequently an anti-Western
Throughout the latter half of the past century, cinema played a significant role in the shaping of t...
By privileging Aboriginal language, Aboriginal-accented narration and the Aboriginal style of story-...
Sound in both fiction and non-fiction films is frequently manipulated for artistic effect. Sound ef...
The two Australian films 'The Tracker' (Rolf de Heer 2002) and 'The Proposition' (John Hillcoat 2005...
Writing a transnational, comparative study of the Western film forces a confrontation with a fundame...
The western genre has long been hailed as an iconic expression of the United States’ history and cul...
This article examines the ways in which Australian newspaper film reviewers interpret cinematic repr...
Firing another shot in the history wars, Prime Minister Howard used his 2006 Australia Day speech to...
"This thesis is presented for the degree of Doctor of Philosophy""May 2012"Bibliography: pages 317-3...
This project is underpinned by a cluster of related questions which stem from the basic premise of t...
Examines David Michod's Australian film The Rover as a post-western, showing how it both uses and re...
Australian films have gained an international reputation for their whimsical look at everyday life. ...
This paper reads the historical document known as the 'Statement of Jacky Jacky' as a contested disc...
Abstract: The Tracker and Red Hill are cinematic re-interpretations of Australia's colonial past, wh...
This essay takes issue with newspaper pundits, academic film critics and historians who seek in thei...
Throughout the latter half of the past century, cinema played a significant role in the shaping of t...
By privileging Aboriginal language, Aboriginal-accented narration and the Aboriginal style of story-...
Sound in both fiction and non-fiction films is frequently manipulated for artistic effect. Sound ef...
The two Australian films 'The Tracker' (Rolf de Heer 2002) and 'The Proposition' (John Hillcoat 2005...
Writing a transnational, comparative study of the Western film forces a confrontation with a fundame...
The western genre has long been hailed as an iconic expression of the United States’ history and cul...
This article examines the ways in which Australian newspaper film reviewers interpret cinematic repr...
Firing another shot in the history wars, Prime Minister Howard used his 2006 Australia Day speech to...
"This thesis is presented for the degree of Doctor of Philosophy""May 2012"Bibliography: pages 317-3...
This project is underpinned by a cluster of related questions which stem from the basic premise of t...
Examines David Michod's Australian film The Rover as a post-western, showing how it both uses and re...
Australian films have gained an international reputation for their whimsical look at everyday life. ...
This paper reads the historical document known as the 'Statement of Jacky Jacky' as a contested disc...
Abstract: The Tracker and Red Hill are cinematic re-interpretations of Australia's colonial past, wh...
This essay takes issue with newspaper pundits, academic film critics and historians who seek in thei...
Throughout the latter half of the past century, cinema played a significant role in the shaping of t...
By privileging Aboriginal language, Aboriginal-accented narration and the Aboriginal style of story-...
Sound in both fiction and non-fiction films is frequently manipulated for artistic effect. Sound ef...
