Add to ORKGBy insisting "Ten Canoes" (2006) have all its diegetic dialogue in the Aboriginal dialect of Ganalbingu, writer and co-director Rolf de Heer has made a subtle statement about indigenous pride and the situation of contemporary Aborigines in Australia
Sound in both fiction and non-fiction films is frequently manipulated for artistic effect. Sound ef...
This article examines some aspects of the West German reception of a series of Australian films abou...
The branch of film study known as auteurism has, since its inception in the 1950s by the critics of ...
By privileging Aboriginal language, Aboriginal-accented narration and the Aboriginal style of story-...
By insisting "Ten Canoes" (2006) have all its diegetic dialogue in the Aboriginal dialect of Ganalbi...
Anna Hickey-Mody and Melissa Iocca invented a new name for the cinema-goer at "Bad Boy Bubby" (1993)...
Rolf de Heer's 2006 film "Ten Canoes" is an Aboriginal story presented in an\ud Aboriginal way that ...
Dutch-born Australian director, Rolf de Heer, is Australia's most successful and unpredictable film-...
The awarded film Ten Canoes (2006) broke new ground in the cinematic representation of Indigenous Au...
Ever since they were first encountered by Europeans, Australia's indigenous peoples have been object...
Indigenous knowledge can challenge liberal and anthropocentric definitions of water as human propert...
This paper argues that his use of the aural point of view (APOV) in his early films (Tail of a tiger...
This article examines the ways in which Australian newspaper film reviewers interpret cinematic repr...
This article examines the ways in which Ten Canoes (de Heer and Djiggir, 2006) works as what Nichola...
© The Author(s) 2017. Cinema is an art form widely recognised as an agent to change the social condi...
Sound in both fiction and non-fiction films is frequently manipulated for artistic effect. Sound ef...
This article examines some aspects of the West German reception of a series of Australian films abou...
The branch of film study known as auteurism has, since its inception in the 1950s by the critics of ...
By privileging Aboriginal language, Aboriginal-accented narration and the Aboriginal style of story-...
By insisting "Ten Canoes" (2006) have all its diegetic dialogue in the Aboriginal dialect of Ganalbi...
Anna Hickey-Mody and Melissa Iocca invented a new name for the cinema-goer at "Bad Boy Bubby" (1993)...
Rolf de Heer's 2006 film "Ten Canoes" is an Aboriginal story presented in an\ud Aboriginal way that ...
Dutch-born Australian director, Rolf de Heer, is Australia's most successful and unpredictable film-...
The awarded film Ten Canoes (2006) broke new ground in the cinematic representation of Indigenous Au...
Ever since they were first encountered by Europeans, Australia's indigenous peoples have been object...
Indigenous knowledge can challenge liberal and anthropocentric definitions of water as human propert...
This paper argues that his use of the aural point of view (APOV) in his early films (Tail of a tiger...
This article examines the ways in which Australian newspaper film reviewers interpret cinematic repr...
This article examines the ways in which Ten Canoes (de Heer and Djiggir, 2006) works as what Nichola...
© The Author(s) 2017. Cinema is an art form widely recognised as an agent to change the social condi...
Sound in both fiction and non-fiction films is frequently manipulated for artistic effect. Sound ef...
This article examines some aspects of the West German reception of a series of Australian films abou...
The branch of film study known as auteurism has, since its inception in the 1950s by the critics of ...