The training of the professional musician involves the development of physical, cognitive and psychological processes pertinent to the particular musical genre. This paper specifically explores the cognitive training of the professional musician and considers a pedagogical framework adapted from the classroom. The learning framework that Robert Marzano (1997) developed from his research, “The Dimensions of Learning”, has been widely adopted as an effective way to encourage learning in the classroom and is based on the assumption that learning involves a complex system of interactive processes that includes five types of thinking and therefore five types of learning. This paper will consider how the Dimensions of Learning can be applied as a...
This chapter explores a possible alternative to traditional “paper-and-pencil” assessment practices ...
This study investigates the impact of a multidisciplinary and multidimensional teaching model on the...
Recent approaches in the cognitive and psychological sciences conceive of mind as an Embodied, Embed...
The training of the professional musician involves the development of physical, cognitive and psycho...
Tertiary institutions face pressures to make better use of resources—to teach more effectively and e...
Aural-skills educators are increasingly subscribing to a broad notion of musical ’hearing’, which re...
This study sets forth a procedural model for general music education which is intuitive, principle-d...
This paper presents a model for the implementation of educational activities involving musical impro...
The chapter proposes an overview of musical learning by underlining the force of the cognitive syste...
Music education is an important factor of students’ development. The positive effect of music traini...
In the article conceptual bases of forming students’ creative thinking in the instrumental and perfo...
International audienceThe discipline called music education develops practices (singing and listenin...
International audienceThe chapter proposes an overview of musical learning by underlining the force ...
The discipline called music education develops practices (singing and listening) and conceptual know...
Improvisation is an articulated multidimensional activity based on an extemporaneous creative perfor...
This chapter explores a possible alternative to traditional “paper-and-pencil” assessment practices ...
This study investigates the impact of a multidisciplinary and multidimensional teaching model on the...
Recent approaches in the cognitive and psychological sciences conceive of mind as an Embodied, Embed...
The training of the professional musician involves the development of physical, cognitive and psycho...
Tertiary institutions face pressures to make better use of resources—to teach more effectively and e...
Aural-skills educators are increasingly subscribing to a broad notion of musical ’hearing’, which re...
This study sets forth a procedural model for general music education which is intuitive, principle-d...
This paper presents a model for the implementation of educational activities involving musical impro...
The chapter proposes an overview of musical learning by underlining the force of the cognitive syste...
Music education is an important factor of students’ development. The positive effect of music traini...
In the article conceptual bases of forming students’ creative thinking in the instrumental and perfo...
International audienceThe discipline called music education develops practices (singing and listenin...
International audienceThe chapter proposes an overview of musical learning by underlining the force ...
The discipline called music education develops practices (singing and listening) and conceptual know...
Improvisation is an articulated multidimensional activity based on an extemporaneous creative perfor...
This chapter explores a possible alternative to traditional “paper-and-pencil” assessment practices ...
This study investigates the impact of a multidisciplinary and multidimensional teaching model on the...
Recent approaches in the cognitive and psychological sciences conceive of mind as an Embodied, Embed...