Kodachrome, the first practical color film, was introduced in 1935. "Becky Sharp, " the first full-color Technicolor feature film, was released the same year, and Kodacolor film, a color negative film for ordinary, fixed-exposure box cameras, was put on the market in 1942. Nonetheless
The invention of motion pictures was only possible due to the prior discovery of the phenomenon of p...
This thesis examines the making of paper and transparency chemical colour photographs in the early t...
Black and white film is widely accepted as being more permanent than color film. Color separations o...
COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's...
For nearly a century after its inception, photographers sought to create full-color images. Leopold ...
The stability shortcomings of color photographs present special problems in library collections. Wi...
Beginning in 1926, natural color photography became a rare but recurring feature in Mack Sennett's s...
The history of color motion picture film is linked to two companies: Technicolor and Eastman Kodak. ...
Since the earliest days of cinema, film has been a colorful medium and art form. More than 230 film ...
This dissertation is a historical and theoretical study of a number of discourses examining colour a...
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and...
To illustrate the company’s importance in the history of photography and its emergence as a widespre...
The invention of photography was only possible due to the camera obscura effect which produces an up...
Front view of the Prizma Color Camera on a tripod, hand crank operation, Prizma, New York. [The Priz...
Nineteenth-century photography is usually thought of in terms of ‘black and white’ images, but inten...
The invention of motion pictures was only possible due to the prior discovery of the phenomenon of p...
This thesis examines the making of paper and transparency chemical colour photographs in the early t...
Black and white film is widely accepted as being more permanent than color film. Color separations o...
COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's...
For nearly a century after its inception, photographers sought to create full-color images. Leopold ...
The stability shortcomings of color photographs present special problems in library collections. Wi...
Beginning in 1926, natural color photography became a rare but recurring feature in Mack Sennett's s...
The history of color motion picture film is linked to two companies: Technicolor and Eastman Kodak. ...
Since the earliest days of cinema, film has been a colorful medium and art form. More than 230 film ...
This dissertation is a historical and theoretical study of a number of discourses examining colour a...
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and...
To illustrate the company’s importance in the history of photography and its emergence as a widespre...
The invention of photography was only possible due to the camera obscura effect which produces an up...
Front view of the Prizma Color Camera on a tripod, hand crank operation, Prizma, New York. [The Priz...
Nineteenth-century photography is usually thought of in terms of ‘black and white’ images, but inten...
The invention of motion pictures was only possible due to the prior discovery of the phenomenon of p...
This thesis examines the making of paper and transparency chemical colour photographs in the early t...
Black and white film is widely accepted as being more permanent than color film. Color separations o...