Abstract / The television programming and production quotas introduced in 1989 by the European Directive ‘Television without Frontiers ’ were intended to improve the European audiovisual industry and to protect European culture. Nearly two decades since the implementation of these regulations, one may ask what effects they have had. This article addresses this question by analysing the chal-lenges entailed in the European quotas for broadcasters from different European countries. The analysis is based on the assumption that television broadcasters are organizations with specific structures. On the one hand, they can react to quotas by relying only on their existing structures (e.g. planning practices or the availability of specific organiza...
A comparative analysis of the manner in which France, Germany, Italy, Spain and the UK have implemen...
The current “Television without frontiers” (TVWF) Directive constitutes the basic regulation of the ...
This chapter deals with the main legislative instrument of the EU audiovisual policy, the Television...
This article examines the extent to which the European quota rule of the Television Without Frontier...
This article examines the extent to which the European quota rule of the Television Without Frontier...
Broadcasting quotas of domestic contents are commonplace in developed countries, be it for radio or ...
Effectiveness of Television without Frontiers Directive in promoting quality programme making given ...
Broadcasting quotas of domestic contents are commonplace in developed countries. The core argument...
Governments use a range of instruments to influence television content. The paper finds that under c...
International audienceThe prevalence of non-linear viewing habits calls for new regulation practices...
International audienceThe prevalence of non-linear viewing habits calls for new regulation practices...
Broadcasting quotas of domestic contents are commonplace in developed countries. The core argument...
Broadcasting quotas of domestic contents are commonplace in developed countries. The core argument...
A comparative analysis of the manner in which France, Germany, Italy, Spain and the UK have implemen...
In 1989 the European Economic community issued the “Television without Frontiers”(TWF) Directive. It...
A comparative analysis of the manner in which France, Germany, Italy, Spain and the UK have implemen...
The current “Television without frontiers” (TVWF) Directive constitutes the basic regulation of the ...
This chapter deals with the main legislative instrument of the EU audiovisual policy, the Television...
This article examines the extent to which the European quota rule of the Television Without Frontier...
This article examines the extent to which the European quota rule of the Television Without Frontier...
Broadcasting quotas of domestic contents are commonplace in developed countries, be it for radio or ...
Effectiveness of Television without Frontiers Directive in promoting quality programme making given ...
Broadcasting quotas of domestic contents are commonplace in developed countries. The core argument...
Governments use a range of instruments to influence television content. The paper finds that under c...
International audienceThe prevalence of non-linear viewing habits calls for new regulation practices...
International audienceThe prevalence of non-linear viewing habits calls for new regulation practices...
Broadcasting quotas of domestic contents are commonplace in developed countries. The core argument...
Broadcasting quotas of domestic contents are commonplace in developed countries. The core argument...
A comparative analysis of the manner in which France, Germany, Italy, Spain and the UK have implemen...
In 1989 the European Economic community issued the “Television without Frontiers”(TWF) Directive. It...
A comparative analysis of the manner in which France, Germany, Italy, Spain and the UK have implemen...
The current “Television without frontiers” (TVWF) Directive constitutes the basic regulation of the ...
This chapter deals with the main legislative instrument of the EU audiovisual policy, the Television...