STYLIZING LIVES: SELECTED DISCOURSES IN INSTRUMENTAL MUSIC EDUCATION

As a social practice, being part of the school band stylizes our lives—individually and collectively. The pedagogical band world, a world made up primarily of school and university wind bands, is in many ways similar to the world of community/civic bands of the late nineteenth and early twentieth centuries. Based on an examination of professional discourses, however, I argue that processes of institutionalization have altered the nature of music making via band participation. The pedagogical band world, like other bounded worlds, operates according to what Michel Foucault calls “regimes of truth”—the regulative norms that delimit what can be said and done. The specific ways in which the subject is fashioned, in other words, are a function of the truths we endorse about ourselves and, in the present case, about music making. Studying the discourses in the disciplinary practice of large ensemble (band) music making is of paramount importance for music educators to better understand the effects of disciplinary practices. Employing a conceptual framework based on the work of Michel Foucault, the following question guided this inquiry: “What ‘regimes of truth ’ are fashioned in schoo