This presentation will explore the cultural relevance of the music of Walther von der Vogelweide, in particular his song Palästinalied. A subsequent discussion about his life, and the European and Middle Eastern worlds in which he lived towards the end of the 12th Century. This will provide insight into his literary work, and contribute further to our understanding of the Crusades. In conjunction with perspectives on his life and times, it is intriguing to note the emergence of the German language in the vernacular, at a time, when Latin was the main written language of Christendom. What makes this such a powerful example of medieval music and culture, is that it is extremely rare since both the lyrics and semblances of early sheet music s...
The prime purpose of this inquiry is to determine the extent and significance of the treatment of mu...
While troubadour and trouvère repertoires have recently received fresh attention from music scholars...
German culture in the nineteenth century frequently granted music an exalted moral and quasi-religio...
textBetween November 1958 and January 1959 Mario Castelnuovo-Tedesco composed a cycle of ten songs ...
This thesis seeks to review the life of Heinrich Schütz, to survey the collections which he publish...
xvi, 494 p. : music ; 28 cm.In an effort to understand the tripartite relationship of music, art, an...
Spätestens seit der Wiederentdeckung seiner Melodie im Jahr 1910 ist Walther von der Vogelweides Pal...
Johann Walter's two songs for seven voices, from Volume V of his collected works, present what seem...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
Sebastian Virdung\u27s Musica getutscht (Basel, 1511), the earliest printed treatise to deal exclusi...
Thesis (D.M.A.)--University of Washington, 2018The sacred music of central Germany in the eighteenth...
Mittelalterliche Lyrik ist eine Liedkunst. In jedem einzelnen Lied vereinen sich lyrische, musikalis...
Oral tradition of cantiones in Czech lands and its imprint in late medieval manuscripts Abstract The...
This dissertation treats the crusade lyrics composed in Old Provencal, Old French, and Middle High G...
For from one to four voices, unaccompanied. --- Middle High German text. --- Biography included in i...
The prime purpose of this inquiry is to determine the extent and significance of the treatment of mu...
While troubadour and trouvère repertoires have recently received fresh attention from music scholars...
German culture in the nineteenth century frequently granted music an exalted moral and quasi-religio...
textBetween November 1958 and January 1959 Mario Castelnuovo-Tedesco composed a cycle of ten songs ...
This thesis seeks to review the life of Heinrich Schütz, to survey the collections which he publish...
xvi, 494 p. : music ; 28 cm.In an effort to understand the tripartite relationship of music, art, an...
Spätestens seit der Wiederentdeckung seiner Melodie im Jahr 1910 ist Walther von der Vogelweides Pal...
Johann Walter's two songs for seven voices, from Volume V of his collected works, present what seem...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
Sebastian Virdung\u27s Musica getutscht (Basel, 1511), the earliest printed treatise to deal exclusi...
Thesis (D.M.A.)--University of Washington, 2018The sacred music of central Germany in the eighteenth...
Mittelalterliche Lyrik ist eine Liedkunst. In jedem einzelnen Lied vereinen sich lyrische, musikalis...
Oral tradition of cantiones in Czech lands and its imprint in late medieval manuscripts Abstract The...
This dissertation treats the crusade lyrics composed in Old Provencal, Old French, and Middle High G...
For from one to four voices, unaccompanied. --- Middle High German text. --- Biography included in i...
The prime purpose of this inquiry is to determine the extent and significance of the treatment of mu...
While troubadour and trouvère repertoires have recently received fresh attention from music scholars...
German culture in the nineteenth century frequently granted music an exalted moral and quasi-religio...