The Evangelical Lutheran Church’s Art and Craft Centre at Rorke’s Drift provided an enlightened environment for black artists during the apartheid years when they had few other opportunities. There is a growing literature on these achievements, but potter Judith Mkhabela, who benefited from this influence, has not yet been recognised in print, probably because she worked mainly at home. This paper documents, as far as we have been able, the range of items, including the distinctive ceramic elephants, made by her and her associates, as well as some details about her life. KEY WORDS: Judith Mkhabela, Rorke’s Drift Art and Craft Centre, Zulu ceramics. Two current issues make this an opportune time to produce this paper. The first of these conc...
When creating artefacts that belong in the material world artists choose specific raw materials for...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
The history of the development of ceramic art practice in Nigeria will always have a pride of place ...
Magister Artium - MAMy research considers the vessels of select women ceramists in and from rural Kw...
Master of Arts in Fine Art. University of KwaZulu-Natal, Pietermaritzburg 1997.The aim of this study...
This exhibition of handmade ceramic work was created over three years in the ceramics studios at UCA...
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005The Rorke's Drift Art and Craft Cen...
This practice-led research in the field of handmade ceramics explores what Africa means and how it i...
This practice-led research in the field of handmade ceramics explores what Africa means and how it i...
This practice-led research in the field of handmade ceramics explores what Africa means and how it i...
The article features South African potter Clive Sithole. Topics covered include his integration of S...
Growing awareness of ancient Chinese Song and Yuan ceramics, amongst other Oriental traditions, by p...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
This paper summarizes fieldwork conducted in 2009 with Zulu potters in the Msinga region of KwaZulu-...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
When creating artefacts that belong in the material world artists choose specific raw materials for...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
The history of the development of ceramic art practice in Nigeria will always have a pride of place ...
Magister Artium - MAMy research considers the vessels of select women ceramists in and from rural Kw...
Master of Arts in Fine Art. University of KwaZulu-Natal, Pietermaritzburg 1997.The aim of this study...
This exhibition of handmade ceramic work was created over three years in the ceramics studios at UCA...
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005The Rorke's Drift Art and Craft Cen...
This practice-led research in the field of handmade ceramics explores what Africa means and how it i...
This practice-led research in the field of handmade ceramics explores what Africa means and how it i...
This practice-led research in the field of handmade ceramics explores what Africa means and how it i...
The article features South African potter Clive Sithole. Topics covered include his integration of S...
Growing awareness of ancient Chinese Song and Yuan ceramics, amongst other Oriental traditions, by p...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
This paper summarizes fieldwork conducted in 2009 with Zulu potters in the Msinga region of KwaZulu-...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
When creating artefacts that belong in the material world artists choose specific raw materials for...
Two potters in the Port St Johns region of the Eastern Cape province of South Africa have been found...
The history of the development of ceramic art practice in Nigeria will always have a pride of place ...