Add to ORKGMicro-Raman spectroscopy (MRS) allows the identification of binding media and varnishes in paintings. This non-destructive micro-analytical method has been used for the recording of spectra (1800–200 cm−1) of different types of proteinaceous (al-bumin, casein, gelatin, isinglass, fish glue), polysaccharide (starch, gum arabic, tragacanth, cherry gum), fatty acid (beeswax, linseed oil, poppy-seed oil, walnut oil, sunflower oil) and resinous media (shellac, dammar, colophony, sandarac, copal, el
The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known ...
Pigments and colourants are materials that have an enormous impact on how artworks are appreciated. ...
There is little information on the actual use of early synthetic organic pigments (SOPs) in art obje...
Micro-Raman spectroscopy (MRS) is an important molecular spectroscopic technique for the non-destruc...
The subject of this work are choosen bioanalytical methods, used for the identification of organic b...
Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. Howe...
Micro-Raman spectroscopy is excellently suited for the investigation of artefacts, as it is a fast a...
Non-destructive analysis of the artist’s palette of ancient wooden panel paintings is a difficult ta...
International audienceNon-destructive analysis of the artist’s palette of ancient wooden panel paint...
International audienceVarious natural organic film-making media from several chemical families have ...
This paper aims at reporting an overview of the principles and applications of micro-Raman spectrosc...
This paper aims at reporting an overview of the principles and applications of micro-Raman spectrosc...
The study of several different naturally aged films of organic painting materials, is described. Mat...
International audienceThe compositions of ancient varnishes are mainly determined destructively by s...
The present multi-analytical study concentrates on establishing the painting techniques and the iden...
The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known ...
Pigments and colourants are materials that have an enormous impact on how artworks are appreciated. ...
There is little information on the actual use of early synthetic organic pigments (SOPs) in art obje...
Micro-Raman spectroscopy (MRS) is an important molecular spectroscopic technique for the non-destruc...
The subject of this work are choosen bioanalytical methods, used for the identification of organic b...
Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. Howe...
Micro-Raman spectroscopy is excellently suited for the investigation of artefacts, as it is a fast a...
Non-destructive analysis of the artist’s palette of ancient wooden panel paintings is a difficult ta...
International audienceNon-destructive analysis of the artist’s palette of ancient wooden panel paint...
International audienceVarious natural organic film-making media from several chemical families have ...
This paper aims at reporting an overview of the principles and applications of micro-Raman spectrosc...
This paper aims at reporting an overview of the principles and applications of micro-Raman spectrosc...
The study of several different naturally aged films of organic painting materials, is described. Mat...
International audienceThe compositions of ancient varnishes are mainly determined destructively by s...
The present multi-analytical study concentrates on establishing the painting techniques and the iden...
The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known ...
Pigments and colourants are materials that have an enormous impact on how artworks are appreciated. ...
There is little information on the actual use of early synthetic organic pigments (SOPs) in art obje...