Abstract This interdisciplinary investigation of aspects of 3D character animation synthesizes relevant research findings from diverse perspectives, including neuroscience, narratology, robotics, anthropology, cognitive psychology and philosophy of mind, and considers how they might be integrated as theory for animators and animation studies. The article focuses on the creative nature of character conception and creation in a 3D animated environment and on aspects of character – narrative and style, in particular. It examines how findings from inter-disciplinary research on the embodied mind–brain, including neuroscientific research with regard to mentalizing and simu-lation theory, can inform the creative animation process and might be gai...
The present article presents a high-level study on creativity. From a theoretical point of view, we ...
This article engages with Teri Silvio’s 2010 challenge to treat animation as a central trope for und...
ANIMATE ASSEMBLY is concerned with how the animate and the inanimate are arranged toward each other,...
Animation is popularly thought of as a sequence of still images or cartoons that produce an illusion...
This article considers both animation and human cognition in terms of process philosophy, and articu...
peer reviewedThe text explores affect as it unfolded for Master students, co-authoring this article,...
Drawing upon cognitive science theories of conceptual blending and material anchors, as well as rec...
This research aims to pursue strategies for expressing inner states and emotions in animation films ...
We argue, from a perspective integrating cognitive science and the arts, that interactive animated v...
We argue, from a perspective integrating cognitive science and the arts, that interactive animated v...
The text examines how human, objects and digital technology interacted in the creation of a short an...
The art of storytelling is important in conveying a narrative to an audience. Through the use of ani...
This article explores how animation can manipulate a reflexive intertextual framework which relates ...
Posters Session: article (1p.) & posterInternational audienceIn order to better understand perceptua...
This article studies the notion of plasticity that Sergei Eisenstein identified as key to the practi...
The present article presents a high-level study on creativity. From a theoretical point of view, we ...
This article engages with Teri Silvio’s 2010 challenge to treat animation as a central trope for und...
ANIMATE ASSEMBLY is concerned with how the animate and the inanimate are arranged toward each other,...
Animation is popularly thought of as a sequence of still images or cartoons that produce an illusion...
This article considers both animation and human cognition in terms of process philosophy, and articu...
peer reviewedThe text explores affect as it unfolded for Master students, co-authoring this article,...
Drawing upon cognitive science theories of conceptual blending and material anchors, as well as rec...
This research aims to pursue strategies for expressing inner states and emotions in animation films ...
We argue, from a perspective integrating cognitive science and the arts, that interactive animated v...
We argue, from a perspective integrating cognitive science and the arts, that interactive animated v...
The text examines how human, objects and digital technology interacted in the creation of a short an...
The art of storytelling is important in conveying a narrative to an audience. Through the use of ani...
This article explores how animation can manipulate a reflexive intertextual framework which relates ...
Posters Session: article (1p.) & posterInternational audienceIn order to better understand perceptua...
This article studies the notion of plasticity that Sergei Eisenstein identified as key to the practi...
The present article presents a high-level study on creativity. From a theoretical point of view, we ...
This article engages with Teri Silvio’s 2010 challenge to treat animation as a central trope for und...
ANIMATE ASSEMBLY is concerned with how the animate and the inanimate are arranged toward each other,...