An important aim of this article is to show that, although Hong Kong’s overall education system has encouraged an integration of global, national and local cultures, there are barriers and difficulties in achieving this goal beyond the implementation of school music education. Data are drawn from a questionnaire with 1806 students (880 boys and 926 girls) attending grades 7–9 in 16 Hong Kong secondary schools. This article elucidates students ’ experiences of school music and interprets their musical and other experiences. It is argued that the Hong Kong music curriculum does not have the flexibility to be able to adapt to global, national and local cultures. Key words global cultures, Hong Kong music education, local cultures, national cul...
The thesis intends to explore struggles over the content of musical knowledge and musical meaning wi...
The aim of this study was to document the expressed beliefs and observed practices of elementary sc...
This study focuses on the collective musical practices of boys and girls within Western and non-West...
In the last two decades, educational and curricular reforms in Hong Kong have been designed to prepa...
Although studying music at school can be an enriching and enjoyable experience, it is an unpopular c...
Studying music in schools has not been regarded to be important for Hong Kong students and parents. ...
This paper explores the implications of the processes of globalization, localization, and Sinophilia...
This article explores the place of music in public education in Hong Kong. Over the past twenty year...
In the past, the music curricula of Hong Kong (HK), Mainland China and Taiwan have focused on Wester...
Hong Kong school music education has a very short history of about 50 years, beginning in 1945 immed...
This article examines the social development of Hong Kong's cultural and national identity since its...
The thesis explores issues relating to the secondary music examination curriculum in Hong Kong betwe...
This article reports of the power (influence) of music to develop intercultural understandings to be...
In today's urbanized, rapidly changing, interconnected world, adolescents need sensitive, responsive...
This study aims at examining the perceived qualities of secondary music teacher in Hong Kong in orde...
The thesis intends to explore struggles over the content of musical knowledge and musical meaning wi...
The aim of this study was to document the expressed beliefs and observed practices of elementary sc...
This study focuses on the collective musical practices of boys and girls within Western and non-West...
In the last two decades, educational and curricular reforms in Hong Kong have been designed to prepa...
Although studying music at school can be an enriching and enjoyable experience, it is an unpopular c...
Studying music in schools has not been regarded to be important for Hong Kong students and parents. ...
This paper explores the implications of the processes of globalization, localization, and Sinophilia...
This article explores the place of music in public education in Hong Kong. Over the past twenty year...
In the past, the music curricula of Hong Kong (HK), Mainland China and Taiwan have focused on Wester...
Hong Kong school music education has a very short history of about 50 years, beginning in 1945 immed...
This article examines the social development of Hong Kong's cultural and national identity since its...
The thesis explores issues relating to the secondary music examination curriculum in Hong Kong betwe...
This article reports of the power (influence) of music to develop intercultural understandings to be...
In today's urbanized, rapidly changing, interconnected world, adolescents need sensitive, responsive...
This study aims at examining the perceived qualities of secondary music teacher in Hong Kong in orde...
The thesis intends to explore struggles over the content of musical knowledge and musical meaning wi...
The aim of this study was to document the expressed beliefs and observed practices of elementary sc...
This study focuses on the collective musical practices of boys and girls within Western and non-West...