We propose string compressibility as a descriptor of temporal struc-ture in audio, for the purpose of determining musical similarity. Our descriptors are based on computing track-wise compression rates of quan-tised audio features, using multiple temporal resolutions and quantisation granularities. To verify that our descriptors capture musically relevant information, we incorporate our descriptors into similarity rating prediction and song year prediction tasks. We base our evaluation on a dataset of 15 500 track excerpts of Western popular music, for which we obtain 7 800 web-sourced pairwise similarity ratings. To assess the agreement among similarity rat-ings, we perform an evaluation under controlled conditions, obtaining a rank correl...
We investigate a method for automatic extraction of inter-song similarity for songs selected from se...
The temporal structure of music is essential for the cognitive processes related to the emotions exp...
In this article we show that a subgroup of music experts has a reliable and consistent notion of mel...
PhDThis thesis is concerned with determining similarity in musical audio, for the purpose of applica...
This paper demonstrates the importance of temporal sequences for passage-level music information ret...
This paper demonstrates the importance of temporal sequences for passage-level music information ret...
Similarity is an important concept in music cognition research since the similarity between (parts o...
Intuitively, music has both predictable and unpredictable components. In this work we assess this qu...
cote interne IRCAM: Meudic03bNone / NoneNational audienceIn the context of pattern extraction from p...
We present a novel compression-based method for measur-ing similarity between sequences of symbolic,...
International audienceThe choice of the distance measure between time-series representations can be ...
Given an audio query, such as polyphonic musical piece, this thesis address the problem of retrievin...
Vitanyi and his co-workers [5] have reported some success using a universal similarity metric based ...
Similarity measures are indispensable in music information retrieval. In recent years, various propo...
Large-scale systems for automatic content-based music recommendation require efficient computation o...
We investigate a method for automatic extraction of inter-song similarity for songs selected from se...
The temporal structure of music is essential for the cognitive processes related to the emotions exp...
In this article we show that a subgroup of music experts has a reliable and consistent notion of mel...
PhDThis thesis is concerned with determining similarity in musical audio, for the purpose of applica...
This paper demonstrates the importance of temporal sequences for passage-level music information ret...
This paper demonstrates the importance of temporal sequences for passage-level music information ret...
Similarity is an important concept in music cognition research since the similarity between (parts o...
Intuitively, music has both predictable and unpredictable components. In this work we assess this qu...
cote interne IRCAM: Meudic03bNone / NoneNational audienceIn the context of pattern extraction from p...
We present a novel compression-based method for measur-ing similarity between sequences of symbolic,...
International audienceThe choice of the distance measure between time-series representations can be ...
Given an audio query, such as polyphonic musical piece, this thesis address the problem of retrievin...
Vitanyi and his co-workers [5] have reported some success using a universal similarity metric based ...
Similarity measures are indispensable in music information retrieval. In recent years, various propo...
Large-scale systems for automatic content-based music recommendation require efficient computation o...
We investigate a method for automatic extraction of inter-song similarity for songs selected from se...
The temporal structure of music is essential for the cognitive processes related to the emotions exp...
In this article we show that a subgroup of music experts has a reliable and consistent notion of mel...