Add to ORKGIrish traditional music is an integral part of Irish culture and identity, enjoyed and performed by large numbers of people around the world in a variety of spaces and social contexts. This paper traces the changing geography of Irish traditional music in the twentieth century and examines the processes and power geometrie
Over the past thirty years, Irish music has spread all over the world and, on a par with Irish liter...
Conference paper given at the the Sixth International Symposium on the Sociology of Music Education,...
The socio-political revolution of the 1960s and 1970s, and the simultaneous explosion in the commerc...
In this paper I examine the influence of Comhaltas Ceoltóirí Éireann on the geography of Irish tradi...
Recording and broadcasting have had an enormous impact on the development, dissemination and popular...
Ireland has long been famous for its rich traditional music. Yet the recent global success of Irish ...
Regional differences in Irish traditional music are challenged by processes of globalization but sup...
Though Irish music acts as a powerful symbolic force in Irish-American community life, very little i...
In the late twentieth century, many new melodies were composed in the genre of traditional Irish ins...
Born in the south west of Ireland, my engagement with Irish traditional music was developed at an ea...
This thesis examines the co-constitutive relationship between music-making and place-making in Car...
This thesis investigates how musicians who play Irish traditional music, but do not identify themsel...
This paper deals with the live performance of Irish traditional music in the Czech Republic. Using B...
When I submitted the abstract of this paper, I did not realize that the late Frank Harrison used al...
Though Irish traditional music is often referred to as a solo tradition, throughout the twentieth ce...
Over the past thirty years, Irish music has spread all over the world and, on a par with Irish liter...
Conference paper given at the the Sixth International Symposium on the Sociology of Music Education,...
The socio-political revolution of the 1960s and 1970s, and the simultaneous explosion in the commerc...
In this paper I examine the influence of Comhaltas Ceoltóirí Éireann on the geography of Irish tradi...
Recording and broadcasting have had an enormous impact on the development, dissemination and popular...
Ireland has long been famous for its rich traditional music. Yet the recent global success of Irish ...
Regional differences in Irish traditional music are challenged by processes of globalization but sup...
Though Irish music acts as a powerful symbolic force in Irish-American community life, very little i...
In the late twentieth century, many new melodies were composed in the genre of traditional Irish ins...
Born in the south west of Ireland, my engagement with Irish traditional music was developed at an ea...
This thesis examines the co-constitutive relationship between music-making and place-making in Car...
This thesis investigates how musicians who play Irish traditional music, but do not identify themsel...
This paper deals with the live performance of Irish traditional music in the Czech Republic. Using B...
When I submitted the abstract of this paper, I did not realize that the late Frank Harrison used al...
Though Irish traditional music is often referred to as a solo tradition, throughout the twentieth ce...
Over the past thirty years, Irish music has spread all over the world and, on a par with Irish liter...
Conference paper given at the the Sixth International Symposium on the Sociology of Music Education,...
The socio-political revolution of the 1960s and 1970s, and the simultaneous explosion in the commerc...