Add to ORKGAbstract- The aim of study is identification, determination, and assessment of the painting materials of Coptic icon, presage of angel Gabriel to the priest Zechariah. Different analytical techniques were applied for characterization of the icon materials. The results revealed that the rigid support was Tamarix hardwood, the flexible support was linen fibers, the ground materials was gypsum. The pigments were vermilion, kermes carmine red and ultramarine blue, the binder was egg yolk, and the varnish was mastic resin. The chemical analyses showed the stability of icon materials with surrounding environment, in addition to the impact of metal salts result in decreasing of the free amino acids of egg yolk binder and cracking the paint film
Abuna Yemata Guh is one of the nine Saints who are traditionally claimed to have come to Northern Et...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...
In the present study, a comprehensive investigation has been undertaken into a wooden Coptic icon da...
This study presents a physicochemical analysis on the orthodox icon “The grieving Mother” from XIXth...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
noA comprehensive study has been undertaken into a 13th century Coptic-Byzantine icon from the St. M...
The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons and...
The scientific dating, using comparative analytical techniques, of an icon which is neither dated no...
This study aims to identify the materials used in the production of a post-byzantine icon from the M...
Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microc...
Most of church icons are suffering of bad display and storage conditions that cause damaging of its ...
The Greek word ‘icon’ is commonly used to denote the ritual panel paintings used in the context of o...
Abstract. This research is to study the chemical composition of the wall paintings in Mazar El- Kho...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
Abuna Yemata Guh is one of the nine Saints who are traditionally claimed to have come to Northern Et...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...
In the present study, a comprehensive investigation has been undertaken into a wooden Coptic icon da...
This study presents a physicochemical analysis on the orthodox icon “The grieving Mother” from XIXth...
In this paper we will emphasize the physical, chemical and biological investigations as well as a de...
noA comprehensive study has been undertaken into a 13th century Coptic-Byzantine icon from the St. M...
The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons and...
The scientific dating, using comparative analytical techniques, of an icon which is neither dated no...
This study aims to identify the materials used in the production of a post-byzantine icon from the M...
Optical microscopy, cross-section and fragment Micro-FTIR spectroscopic techniques along with microc...
Most of church icons are suffering of bad display and storage conditions that cause damaging of its ...
The Greek word ‘icon’ is commonly used to denote the ritual panel paintings used in the context of o...
Abstract. This research is to study the chemical composition of the wall paintings in Mazar El- Kho...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
Abuna Yemata Guh is one of the nine Saints who are traditionally claimed to have come to Northern Et...
The present research study investigates the decorative technique of mordant gilding used on wall pai...
The authentication of cultural heritage assets is a complex process of scientific investigation whic...