Dynamics of Spontaneous Otoacoustic Emissions

Spontaneous otoacoustic emissions (SOAEs) have become a hallmark feature in modern theories of an ‘active ’ inner ear, given their numerous correlations to auditory function (e.g., threshold microstructure, neurophysiological tuning curves), near universality across tetrapod classes, and physiological correlates at the single hair cell level. However, while several different classes of nonlinear models exist that describe the mechanisms underlying SOAE generation (e.g., coupled limit-cycle oscillators, global standing waves), there is still disagreement as to precisely which biophysical concepts are at work. Such is further compounded by the idiosyncratic nature of SOAEs: Not all ears emit, and when present, SOAE activity can occur at seemingly arbitrary frequencies (though always within the most sensitive range of the audiogram) and in several forms (e.g., peaks, broad ‘baseline ’ plateaus). The goal of the present study was to develop new signal processing and stimulation techniques that would allow for novel features of SOAE activity to be revealed. To this end, we analyzed data from a variety of different species: human, lizard, and owl. First, we explored several strategies for examining SOAE waveforms in the absence of external stimuli to further ascertain what constitutes ‘self-sustained sinusoids ’ versus ‘filtered noise’. We found that seemingly similar peaks in the spectral domain could exhibit key differences in the time domain, which we interpret as providing critical information about the underlying oscillators and their coupling. Second, we introduced dynamic stimuli (swept-tones, tone bursts) at a range of levels, whose interaction with SOAEs could be visualized in the time-frequency domain. Aside from offering a readily accessible way to visualize many previously reported effects (e.g., entrainment